Like magma; like lava

Like Mother Earth, things in my life have been changing rapidly and have shaken me to the core.

Since hitting the Pause button on my blog in May, I have experienced some major life changes: 

1. Graduation with my Bachelor's in Art: Applied Design, with a minor in Psychology
2. Ending of a my romantic relationship that lasted 10.5 years
3. Spiritual awakening to my role as a Energy Healer and Shamanic Temple Priestess 

These changes needed to happen "off-line" as much as possible so that I could process them. But I am being called to share my journey again with you. 

But this journey will be different than before. 

Because this earth sign (I'm a Taurus) has been set on FIRE with my new spiritual connection. 

And through this fiery, creative channel comes new art.   

Like magma, my fiery earth has churned, hidden from view. 

Like lava, it is time to let it out. 

So expect new and exciting directions for this blog.

The old content, especially my tutorials, will still be here. I will still share resources and things involving art.


But my goal now in life is to Start YOUR Creative Fire!

and teach by example so that it can burn bright and keep you warm during the toughest transitions.  

On Fire, 
Jaime Lyerly 

What ever happened to Jaime?

I'm still alive!  

Personal issues and spiritual awakening have led me to question:

• ALL that I am 
• ALL that I do
• Personal life vs. Private life

Personal life vs. Private life is why my blog fell to the wayside.

I had to figure out who I am before I could continue to speak my truth via this blog.


I still don't have it figured out...

But I am closer than I ever have been in my life. 

So bear with me a little while longer while I figure out where I need to be.

One thing I know for sure - I was put on this planet to SHARE and HEAL.

Thank you for being a part of my journey!
~ Jaime Lyerly 

Blog Triage - HW #3 - "About me" Revamped

Where does your path lead?

Like any slacker student, I am choosing to do the homework I like first before the others. Therefore, for my Blog Triage homework, I am skipping #2 for the moment. Don't tell the teachers!

Blog Triage Homework #3 is about revamping our "About Me" page.

Hooray! I have had roughly the same "About Me" page on Blogger since I started the blog in January 2009. Adding a few sentences over the last few months does not count as revamping, so it is time.

How could my "About Me" be the same if the "ME" part of it is not? Haven't I grown in over a year? Haven't you grown?

So rather than fix up the "About me" page and secretly hope that you never see the previous one, I decided to make a blog post to tell you where I was, and where I am NOW.

"About Me" Before:

I am a mixed media artist trying to bridge the gap between personal narrative and art made for the public eye. My works speak of the ambiguity of our future and our connection to the natural world. As a mother, I try to make the best out of what has been given to me and my art reflects that never-ending effort. It is messy, layered, personal and uncertain – just like everyday living. Found objects, discarded materials and branches from nature blend together with beeswax and hand-knitted yarn to create art that is familiar yet hauntingly distant from its original function. My current work is in exploring the limits and versatility of encaustic (molten beeswax applied hot, resin and pigments) in two dimensional and three-dimensional forms. My explorations include traditional encaustic paneling on panel, but also working three dimensionally with the wax to find out how far it can be removed from its' support. I manipulate the wax using heat, and combine it materials that are not used in traditional encaustic painting. I then examine how it is affected by light, motion, and heat. I love to share my process with others.

This "About Me" is basically my artist statement (which also needs lots of help).

To re-write this, here is a little free-writing...

What's the same:

• Working in encaustic wax and beeswax
• Sharing my process
• Still a mother, artist and blogger
• Being a nerdy, scholarship-winning honor society art undergraduate student
• Tattooed, opinionated, talkative and easily distracted
• Playful and full of enthusiasm
  
• Son calls me "Visser One" and say "yes, my evil master..." when I assign extra chores
  
• Interested in Conceptualism, Art History and Psychology
• Love to read
  
• Experimentation and process art
• Creating something everyday
• Love to support other artists
• Being a procrastinator
  

What is different:

• My son is starting high school next year (that statement makes me feel old...)
• My purple hair
  
• Seeking more of a spiritual connection and balance in my life
  
• Fiber becoming more important to my work
  
• Working more in 3-D encaustic sculpture
• Scientific exploration and research more important
  
• Blogging/documenting a larger part of my creative process
• Started teaching workshops in Encaustic Painting

So let's combine these together...

See my new (and improved?) About me page.

Updated my fancy purple hair picture too in case that natural color was throwing you off.

"Going outside to work!" I holler to my family as I tie up my purple hair and don my wax-covered apron. With encaustic wax melting on a palette in my studio/balcony space, I juggle birch panels, fiber creations and my digital camera as I head outside. Why? Because you need to see an enthusiastic mixed media and encaustic artist at work. And that is why I am here - to share my process with you.

Encaustic (molten beeswax, damar resin and pigment) is an ancient medium that has grown in popularity in contemporary art. It can be combined with mixed media, collage, wood, fiber, and be transformed into paintings and three-dimensional objects with a luminosity that any medium would envy.

Want to know more? Follow, subscribe to my blog, or my newsletter for all the waxy details. I occasionally teach encaustic workshops in San Diego, so do not miss your chance to fling some wax with me.

Fair warning: my blog is not ALL about waxy bliss. I share tips about social networking, art marketing, San Diego events and unique Calls for Artists. I blog about spiritual growth, community involvement and balance seeking. I write tutorials on art techniques and share my own and other artists' artwork and creative processes. I even blog about blogging and make stuff everyday... anything that gets the creative juices following. However, I cannot do all this without YOU!

So join me on this inspirational path as we find out why "Art making is a Journey."

Whew! Let's hope it is not another year before I update that again.

What do you think? ~ Jaime Lyerly

Blog Triage - HW 1 - Desperately Seeking Art-Loving Readers

Since the birth of my blog, "Art Making is a Journey" in January 2009, it has grown into the spirited and precocious toddler.

It has changed from a place to share my artwork and journey as an emerging artist to a place that I can connect with artists and readers from all over the world.

It is a visual and written representation of what is in my head, my heart and what is being created with my hands. It is a necessary and exciting part of my own creative process.

But it wouldn't have grown to this without you.

My readers (frequent or first-timers) help me to define what it is that I write about.

When people email me asking about encaustic techniques or set-up, I know it is because of posts on this blog. I love to share my knowledge with others, and this blog has become my platform.

Yet, sometimes it is neglected. ::Cough, Cough:: Even sick. Ignored. Needing medical attention...

So to help revitilize my blog's health, I have signed up for the online "Blog Triage" class taught by Art Biz Coach Alyson B. Stanfield and Original Impulse/Journey Juju Cynthia Morris.

I have been reading Alyson and Cynthia's blogs since the birth of my blog, so I feel like I know them personally. They are doctors who know the secrets to a healthy blog.

Our "Homework" for this class will be completing assignments on our blog. I hope by sharing this that you will be inspired to check the pulse of your own blog. Here is part 1 of Homework 1.
__________________________________

Blog Triage - Homework 1, part 1 - Describe your ideal readers

Desperately Seeking Art-Loving Readers

You:

• Highly interested in Encaustic (hot beeswax painting) and want to know more about it

• Has a sense of humor!
• Love to look at and/or make art
• Lifetime learner and seeker of knowledge
• Enjoy reading about the creative process
• Visually stimulated
• Loves process art and experimentation
  
• Cares about contemporary art
• Can be artist working in any medium
• Can be a student, retiree, working person, male or female (or cat), physical appearance does not matter
• Hardworking and dedicated to the creative process
• Wants to learn more about how to market your art
• Interested in Feminism, Conceptualism, Post-Modernism, and other Art History-isms
• Understanding if I ramble and change topics
• Willing to support an "unknown," emerging artist

Preference: Living in San Diego area, CA, but open to other areas of the country/world

Enjoy reading blogs and social networking a plus, but not necessary

Me:

• Emerging, Mixed media and Encaustic artist

• Loves to share and promote Encaustic paintings and sculpture
  
• Hardworking and dedicated student and mother
• Loves to write about process art
• Tends to write excessively about own life - even the "bad" stuff
• Takes lots of in progress pictures
• Needs to blog as part of the creative process
• Lover of knowledge, with a tad bit of nerdiness
• Needs to teach and share that knowledge with others
• Cannot resist sharing on Social Networking sites
• Very interested in Conceptualism, Feminism and Art-isms yet to be named
• Supports other artists
• Tends to talk too much and change subject at will

Looking for long-term relationship with multiple readers.
Let's get together and share this love of art! Will you be my reader?

No application needed - just read and enjoy.

Feeling moved to reach out and connect with me? I am always available to respond to your comments and email.

Thanks for sharing in this journey with me, however long you have been here!

Until next time; Happy Art-making! ~ Jaime Lyerly

Art and Fear - part one - You are not alone

My last two posts have been so different from my normal, perky blogging style. I'm so sorry you had to suffer for it.

I just started reading "Art and Fear" by David Bayles and Ted Orland and it is amazing.

It is one Ah ha! moment after another. I am only 20 pages in to the book and I am ready to buy copies for all my artist friends so that they can experience this book.

The crankiness that I have been experiencing recently (and blogging about - see The Psychology of Collaboration and Casting a wide net) is all about self-doubt. The "Art and Fear" book tells me that I am not alone in this self-doubt, and that it probably never will go away. I just need to work with it.

Usually, I just avoid blogging (and contact with other people in general) when I am feeling confused or unsure of myself. However, I am beginning to realize that even these lows are part of my artistic journey, and that is what my blog is about. So I will question myself and hopefully, you will know that your are not alone on this either.

So from this low, I tell you my good news - Two of my newest encaustic pieces got into the juried San Diego State University Student Award Exhibition XII.

I am thrilled because these works are very new, and I think some of my best work. The irony is that is NOT my "student work." This is the work that I do outside of my assignments, although I do bring them into my sculpture class for critique sometimes.

One of the pieces is the 30x30x2" untitled encaustic painting from the Gatherings series which is in the blog post below. The other is called Collection (Fibrous Waximus) and is a wall installation fiber and encaustic sculpture. I need a good installation shot for the blog and I will get you one next week.

The show opens on March 15, 2010 at the San Diego State University Everett Gee Jackson Gallery and Flor y Canto Gallery, and is up until March 24, 2010 until 3 pm. I hope that if you are in the area, you can check it out.

Back to my art and fear - I am working through this.

Yesterday, I was working in some wax and nothing was feeling right, so I took out some boards and started drawing on them with charcoal. A few hours later, I had a triptych that is complete. Usually, I spend a long time thinking about my work, and making it, but it hardly ever feels done that quickly. These feel done and I am shocked! Am I learning to accept the inspiration? Maybe... no, scratch that - YES. That is just fear talking.

And until that inner critic decides to take a vacation, I will continue to crank when I am feeling uninspried and unconnected. But I am working through it. And you will too...

Art and Fear... what is stopping you?
~Jaime Lyerly

The Psychology of Collaboration

Collaboration.

Working together with another artist(s) to produce something that is part of you both (all).

Sounds like a good thing, right?

Maybe; but I am not sure it is for me. Here is why:

Last year, I tried to be a part of a collaborative mail art group. I failed miserably at this collaboration.

The idea :
Start a small art work that can be shipped in a 8X5 padded envelope. You could have up to 5 pieces and then send them out to members your group. They would have one week to work on it and pass it along to another artist. You would eventually get it back when it has gone through about 4 people. You also work on whatever comes in the mail for you, and send it on to the next person. Simple enough, right?

Well, not for me. I started three pieces and sent them out. I never received anything in the mail until a month later when I was in the apex of the semester and getting ready to go in May on a two-week study tour to China and Japan.

But it isn't the fact that I received the pieces later that made me fail at this. It was that I never thought about the psychology of collaboration. Here is my definition:

The psychology of collaboration is all the questions and inner struggles that you face when you are working a piece of art was started and belongs to another artist.

I'll admit, I procrastinated a bit on getting my own pieces started. I wanted them to be perfect - but that will never happen.

Finally, I sent them off into the world to be worked on by other artists that I didn't know well. It was just when I received other artists' work that became a procrastination nightmare.

These thoughts went through my head when I received the mail art:

Wow, these are so cool.
I could do this, this, and this...
Maybe I can add this to the piece and take this out...
Wait, what if I do this, and she hates it...
Maybe I shouldn't be doing this...
I wish this was my piece...
What if I "ruin" it?
What if I make bad art...
These are professional artists - what the heck am I doing with them...
Maybe this is a bad idea...
How could I have thought that I could do this...
I have so little time now, I will work on this later when I have more time...
I cannot "deal" with this now...

Then the piece gets put aside until I can "deal with it," which is never.

Then the embarrassment and self-consciousness of holding onto the pieces too long (and not working on them at all because of fear) becomes so great that I start making myself less available. The pieces never get sent back either. I "lose" them in my other mail for months.

Collaboration falls apart and I have let everyone down - including myself.

At the time, I never thought that this would be the end result of my first attempt at collaboration. Everyone looked like they were having so much fun!

For someone who is obsessed with process, the idea of documenting a piece of art work at each stage of development is very exciting. I loved seeing what everyone else in the mail art groups (there were 2 others) was posting up on Facebook. It was amazing to see the transformations.

Yet, I hesitated and do what is very familiar to me now, "choosing by not choosing."

If you wait long enough, your choices of what can happen are limited. Wait too long on a scholarship/grant deadline, you will miss it. Forget to pay your bills, you get a late fee. Decide not to enter an art completion, you will never get in.

I know all these things, but I still do them.

And this time, my procrastination and self-doubt robbed me of an opportunity to participate in something special. I was not only hurting myself by procrastinating, but letting my group down.

So, through this mail art experience, I realized that I was not ready for collaboration.

Almost a year has gone by since that experience. And I am taking a small step into the realm of collaboration - this time with new rules and new eyes.

An artist friend from my advanced sculpture class, Sunshine, mentioned on the first day of the semester that she was looking to do an art collaboration with someone. She said that she wanted to exchange a piece with an artist, and we both work with the pieces for two weeks then exchange back again.

Sunshine is an amazing artist who has a BA in metalsmithing. She attends my advanced sculpture class for the critiques and to continue her mentee relationship with the instructor Richard Keely.

I am a great admirer of her work and her dedication to exploring her own process. So when she mentioned collaboration, my first instinct was "YES, I want to do this!"

But then my self-doubt compelled me to admit my hesitancy. I explained to her my previous failure at collaboration. She was understanding and still interested in working with me.

Here is what makes this collaboration different (and I hope more likely to succeed):
I know the artist that I am working with
I know her current work
She knows my current work
I see her every Friday, therefore cannot "avoid her" as easily
She is very friendly, and understanding
We are peers
She is interested in process
She has a similar aesthetic interest as myself

We started our collaboration three weeks ago. She brought me this amazing rubber and fiber piece to work on. Sunshine said that it was a piece that she had been working on for a while and still wasn't happy with it. She wanted to see if I could work on it, which would let her look at it again with fresh eyes. I loved the piece from the start, which is a good and bad thing. I also had ideas right away of what I wanted to do with it.

I hesitated to start, though. And I hesitated even more to bring her something of my own to have her work on. Nothing I had seemed "worthy" of her time.

Finally, I started heating up my beeswax to give the tufts a thin coat of wax. This would change it into something that I could understand - fiber and wax.

Here is what was going on in my head again, while working on Sunshine's piece:
This piece is so cool...
I wish it was mine...
I am going to give it a coat of wax and see how that looks.
But what if she hates it?
What if I ruin it?
Maybe I can take the rubber apart and shape it.
But then it would never go back to its' shape.
What if that is what she liked about the piece.
I wish this piece was mine so that I wouldn't have this pressure.
Okay, lets put it in the wax.
Hmm, that looks interesting. How about the red wax.
Oh no! I am not sure about that one. Why didn't I test it out first?
Is it ruined now?
I am confident that Sunshine is improving my piece, and what am I doing here...
Maybe this was a bad idea.
Maybe I am just not meant to collaborate.
How can I be so bold with my own experimentation and so timid with this piece?
I wish this piece was mine.
I will let it dry and then see how that looks.
Looks cool, now for some embroidery on it.
Oh, the needle puts a hole in the fabric that cannot be hidden!
Did I just ruin it?
Just finish this embroidery, Jaime, and stop thinking about this so much.

Even more questions than before! I knew I needed to work out some of these issues, so it was time for the journal. I wrote in my journal about ten pages about how I didn't expect this collaboration to be such a thought-provoking process. I thought it would be more about working with new materials and making it a part of me.

Instead it has been a process of not only making art, but also examining my own artistic self-doubt and worthiness as an artist. Powerful work, to say the least.

This collaboration is not done. Sunshine was not in class last Friday so that I could give her the piece. So my doubts are still crackling in the air.

But I am now aware of the psychology of collaboration. And will continue to explore these mental processes while working with the physical materials.

My hope is that this collaboration with Sunshine will help me redeem myself as someone who is able to collaborate.

I will continue to explore my own inner landscape of doubt, while pushing forward to create.

Your Turn:

Collaboration: Friend or Foe? Have you collaborated with other artists? Was your inner critic on high volume while working on the piece? Anyone else have more struggles with your own inner voice more than the material before you? I would love to hear your stories.

Thanks for letting me share my process with you! ~ Jaime Lyerly

Artist Question: Learn new skills or improve old ones

I have this undying need to ask questions of artists. 

Their process, their inspiration, their art marketing, their concepts, their education, their techniques, their opinions on the art world, their ability to balance, their artistic path and anything else that they will let me bother them with. 

So it only seems reasonable that I should be asking these same questions to my blogging and social networking audience. Therefore, I am going to start posing more questions and hope that some kind soul will take pity on me and answer them. 

With each answer, we all learn more about the artist and how they tick. So here is my first official Artist Question: 

As artists, is it better to learn new skills or improve old ones? 

With our limited time, how to you best utilize it? Is it better spent working in your chosen medium, or spent learning something new that you can connect later?

My example here, of course, comes from my own experience now. As a college art student, we are required (usually) to take studio courses outside of our chosen field. This is challenging and rewarding because it can show you a world outside of what you are already making and expose you to different instructors with new ways of working. You have a semester to learn these new skills, and even if it is painful, you can make it through.

This semester, I am taking Fiber Surface Design this semester and it includes embroidery. It is definitely not painful, and can be connected to most of my current work.

Learning traditional skills is rewarding, but I love how it can be applied to contemporary art issues. If you haven't seen this exhibit "Pricked: Extreme Embroidery" you must check it out. This is not your grandma's sampler.

But for me, embroidery is a new skill. It is time consuming.

Encaustic painting and beeswax sculptures are my chosen medium. It is also time consuming.


Three hours on a Saturday free. What do I do?


So artists, which do you chose? Learn new skills or improve existing ones? 

 Eagerly awaiting your response! ~ Jaime Lyerly


 

Missing art submission deadlines - Confessions of a Super Procrastinator

Feburary already? What happened here? Who stole my month of January? I want it back.

I haven't been blogging recently. Not for lack of want or even lack of time. It is all about not wanting to be in front of a computer any longer than I already am. My job involves the computer. School work involves a computer. My bills are mostly paid via computer. I am always searching for interesting art and artists online, or researching projects. I cannot get away!

So when I have been choosing my free time recently, it has been away from the computer and bend over an embroidery frame or a griddle full of wax. I will go on more about my new fiber class soon, because I have come to fall in love with embroidery. Ah, embroidery...

Okay focus! Here is what I need your help on - Missing Art Submission Deadlines. 

Even though I am still developing a solid body of work, I have begun to show my work in local exhibitions. I have more work that I want to show. The experience of applying is as important to me as getting into the shows. But there are a few snags.

Here are my 12 Steps to Miss Art Deadlines

1. See my artwork on the wall. Think to myself "I need to show my work more."
2. Search Art Deadline or look at emails for opportunities.
3. Find a show that fits my work.
4. Get Excited!
5. Check the dates. Sigh if it is past, and smile if it is upcoming.
6. Print out the info and/or post it to Facebook.
7. Place it in my direct view at work, or in a school binder so I see it.
8. COMPLETELY FORGET ABOUT IT.
9. Memory is triggered by something else, go find opprotunity again.
10. See the missed deadline.
11. Kick myself. Vow to find more shows that fit.
12. Repeat the process, repeatedly without the pattern changing.

See my problem? Me too, but I don't change my ways.

I admit there may be a little adult ADHD in me, but I know for sure that there is a lot more Procrastination than anything else. And I identify myself with this.

This is the dirty little secret of procrastinators everywhere. We procrasticate because we want it to be perfect, so we wait until there are better pictures, time to write a better statement, a better oppronity. Deadline missed. Procrastinator Sad. Pattern Repeats.

Procrastinators also want be organized, but we wait until we have "time" to organize, and that means NEVER. Or we get organized for a week and then lose interest in up-keeping it.

My favorite thing to say is "I don't want to deal with this now. I'll handle it later." Later never comes.

So then other than hiring someone to organize me or spending years in behavioral therapy, I turn to you. 

You are artists (creatives, writers and more). 

You get into shows. 

You make your deadlines.

Your work is seen by others (and maybe even sold). 

So how do you do it? 

I concede that your way may not work for me, but I am desperate for some advice here. Please leave a comment here, and share with everyone how you make it work.

Yours, in all her Procrastinating glory, ~ Jaime Lyerly 

Art Supply Trade! Bringing Back the Barter System!

Oh, Dadant refined beeswax - how I miss you so.

So sorry this post took so long. As I mentioned to friends that I had supplies to trade, I found some takers already, and got rid of some large (read: too expensive to ship) items and traded it for an art consultation. However, I had a week of pack rat doubt about getting rid of my stuff and let that resistance hinder me from finishing this post that I started 3 weeks ago. Well here it is!

More stuff to come, but I just needed to get this out into the world now - a kind of "asking the universe and it will provide" idea. I need lots of beeswax for my current projects. Can you help?

In my post "Out with the Old! Bringing in new energy by cleaning" I talked about how I was frantically getting rid of old clothes and doing the unthinkable (in my pack rat mind) - Throwing out art!

I decided it was time to make room for some new art and supplies by getting rid of the supplies that I am not using. I am also working on more 3-D beeswax art work and encaustic paintings. For anyone who works in encaustic, they know how expensive these paints are! Almost outrageous at at least $20 a small cake. And with encaustic, it is all about lots and lots of layers. So each layer just adds to the price. My 3-D beeswax and fiber forms also use a ton of beeswax, and I am down to about 2 lbs of it. Yikes! What is a girl to do? There is art to be made and no supplies to make it with!

Also, In this difficult economic times, I feel guilty about spending money on art supplies when it could be used for something more practical. So what if I traded my unused supplies and art books for some encaustic paint or beeswax? Then I won't have to worry about spending "money" as it will almost be like getting it for free. The idea sparked - BARTER SYSTEM!

So here I am; offering my supplies to you. Do you work in encaustic? Did you try it and not find it fun to work with? How about oil sticks? Any of those lying around unused? Have beeswax to spare? Maybe have an unused cradled board or two that you have no plans for? Plain, unused, rolled canvas need a new home? I can help out! Let's make a deal!

The supplies I am looking for are pretty specific to my area of mixed media encaustic/beeswax 2-D and 3-D creations. But I am open for other suggestions. As being a lifelong learner, I am willing to trade items for things less tangible, such as online classes, art consultations, art business help, and coaching services. It really just depends on the offer. I just want my stuff to become your stuff, but I don't want to sell it to you.

If I have peaked your interest at all, see the two lists below: Want and Have.

Want:
Encaustic Paints
Unbleached, Refined Beeswax (lots of it, please!)
small Blow Torch
Encaustic iron
Cradled Boards (birch or something unprimed)
Claybords
Oil Sticks (see R&F paints for these)
Gift certificates to R&F, Dadant and Sons or other encaustic paint or beeswax suppliers

Have:
General supplies
3 11x14x.75" canvases
1 16x20x.75" Oval Canvas
Bags of various ribbons and papers
Knifty Knitter purple rectangular loom

Art Books (All books in excellent condition)

Anthologies/Biography
Art 21: Art in the twenty-first century, Volume 1 hardback
American Art book (small book)- Phaidon
20th Century Art Book (small book) - Phaidon
The 20th Century Art Box Postcards - Phaidon
The Art Box postcards - Phaidon
Surrealism - World's Greatest Art
Rome and Vatican Book
Pablo Picasso - Ingo Fi Walher

Art Technique Books
Encyclopedia of Sculpture Techniques - John Mills
Teach yourself Sculpture
Complete Guide to Drawing - Giovanni Civardi
Essential Techniques for Drawing and Painting
The Zen of Creative Painting - Jeanne Carbonettis

Writing/Art/Journaling (technique included)
Artists' Journals and Sketchbooks - Lynne Perrella
Journal Spilling - Diana Trout

Assemblage
The Altered Object - Terry Taylor
Secrets of Rusty Things - Micheal De Meng
Classic Color Theory/Design Textbooks
Design and Form, Revised Edition - Johannes Itten
Interaction of Color, Revised Edition - Josef Albers
Creative Living/Art Business
The Saavy Crafter's Guide to Success - Sandra McCall
Living the Creative Life - Rice Freeman-Zachery

I will be adding to this list as I can. Did you find something that you want? Email me and I will work with you.

Desperately seeking beeswax ~ Jaime Lyerly

Lessons from Failure

I start this new college semester with a better understanding of myself.

After whining for the last few days (okay weeks....maybe a month....) about not wanting to start classes again because it will cut into my creative time, I am actually excited to start today.

This semester will be a focus on what is important to me, which is a big change from my attempt at learning the Japanese language last semester so that I could study abroad in Japan. I ended up failing Japanese I, because of many reasons which included no time to study, a difficult studio class, illness and my memory not being as good as it was 10 years ago. Since I identify myself as an overachiever (and yes it is very true) this was a hard blow to my ego. I still have a difficult time to identify myself as more than just an academic, so failing a class is a heavy burden to bear. As I was clearing out my Japanese binder last night, I heard each paper yell "FAILURE!" as I shuffled them into the recycle bin. However this failure has taught me more about who I am now than all the scholarships and honor society awards that I won within the last year.

What I learned from failing:

1. Learning a language at 32 is harder than at 22.
2. My self worth should not be judged by my grades or GPA.
3. The world will not end if I fail a class.
4. Stress makes you sick. Sickness makes you miss class. Missing class makes you stressed. Cycle repeats and repeats.

and most importantly:
5. BALANCE is the more important than anything.

So this semester, I am going to seek BALANCE more than academic achievement. As the semester starts today, I vow to keep this sense of balance by taking time to exercise my body, eat healthy foods, write and enjoy life and make time for my family and myself.

Even though I have no choice but to take full time classes (12 units) or work part time to pay my bills, I can chose my classes carefully, and budget my time better. I am going to say NO more often for things that don't serve me, and carefully evaluate the wonderful opportunities that present themselves to see they fit into the time I have now.

Therefore, I hope that my readers will kindly understand if there is less content on this blog, and know that while I am silent here, I am creating somewhere else. I still plan to document my process and share art and art marketing tips I find, but there may be less. And as the newness and excitement of my classes turns to work and stress, I plan to come here to blog about my failures in addition to my successes. Viewed as a whole, this will show the real me - flaws and perfection at the same time.

If you are starting classes now (teaching or learning), I applaud you and hope you will help me on my journey towards balance. And in turn, I wish share my world of creativity and artistic expression with you. We will both win. If you are not starting classes, I still hope you will seek out balance and share with me your lessons from an unapologetically creative life.

Forever seeking Balance! ~ Jaime Lyerly

Out with the Old! Bringing in new energy by cleaning

I am feeling hyper, motivated and inspired to do the unthinkable - CLEAN and GET RID OF STUFF - Including ART SUPPLIES!

This feeling hardly ever comes. And when it does, it usually lasts only for a hour or two. Then I get overwhelmed by the amount of work it takes and I avoid it again for another year or so.

But all the energy in my life is telling me that it is time for a change.

I need to LET OUT THE OLD TO ACCEPT THE NEW!

There are so many examples and descriptions that I could go into for why this is resonating with me that I would end up spending the whole day writing blog posts about it. But there is cleaning, returning and organizing to do and I have to strike while the iron is hot. Iron...encaustic...painting...mmm...oh, distractions.. how I miss you already. No! Focus! Okay, one quick example.

In my Japanese class, we talked about traditional activities surrounding the New Year. (I am just going by memory here, so if I get it wrong, please forgive and correct me!) Each year has a specific animal sign (adapted from Chinese Zodiac), and a new deity that is welcomed into the home by cleaning every inch of it. Getting rid of old things, cleaning, writing New years' cards, and putting up decorations is necessary. The first three days of the new year, everyone has off (with one exception). New years' cards are sent to everyone you know and are delivered on New Years day by mailmen who are the only ones that work. New years eve at the Shinto shrine, the monks ring the gigantic bell 108 times to release the 108 sins or demons inside every person. More about Shinto New Year bell ringing here. Going to the Shinto temple for blessing is common within the first few days of the year. Bathing and cleansing are very important for the house and the body. To the left is a picture of Chris and my friend Joyce cleansing their hands and mouths before going into the Meiji Shrine in Tokyo during our Japan and China Study Tour. They even wear new clothes on New Years' day. It looks like an amazing tradition, and one that I am going to adopt and modify to fit my own life this year.

So back to what has been occupying me for the last few days - cleaning out the old. I am getting rid of all the clothes, items and even art stuff that no longer fits me. This includes lots of watercolor stuff, acrylic paintings and maybe even art books (although those are harder to part with). And as I get a notice from my health insurance company that starting January 2010, my health insurance per month will be raised to $295, I am thinking about the barter system. Maybe I need to trade some of my art supplies for other services? Maybe trade art for something more practical? Maybe trade of acrylic supplies for encaustic wax that I need to continue my projects for the new year? I am already making a trade with my friend Starry to help me regain my sewing skills, but we haven't worked out the details. I am looking for options in the new year, and I believe that this new energy will not do me harm. Anyone looking for a trade of art supplies? Email me and we can work out a deal!

I have spent too long on this post, but I am still energized to make room in my life for more abundance! So if you don't see my posts as often as I usually do, trust me, I am still here and working away on my art and life. I look forward to sharing more of my life and art with you in the new year!

Happy cleaning and Welcoming the New Year! ~ Jaime Lyerly

Celebrate Your Accomplishments for 2009

Picture of me stamping my travel journal at Himeji Castle in Japan.
To be able to go to Japan was a HUGE accomplishment; one that I still am not sure how to put into words.

Since it is finals week at SDSU, I am rushed to finish everything I started and study for those big tests. Yet, I already feel the tension and pressure lessening each time I turn in a project, take a test or finish a paper. College classes will be over in three days for me, and I am READY FOR A BREAK! I can finally focus on my art and enjoy life for a month before the madness of classes starts again at the end of January. Until then, let's talk about celebrating this year in a truly artistic way.

The Art Marketing action tip from the Art Biz Coach Alyson Stanfield this week is one that I am ready to start now and try to finish up by the end of the year.It is all about celebrating your accomplishments.

I am fond of bubbling to my friends, co-workers and other students about what I am doing now and my accomplishments. I have been know to jump up and down with excitement. I blog, twitter, post status updates on Facebook and pictures of work in progress on my fan page. Yet, I don't take time to celebrate my accomplishments for the year. I have made a huge jump this year into the art world, and know that is would be a great time to start writing my accomplishments down!

Check out this post (right click and open in a new tab).

Art Marketing Action Podcast: Celebrate Your Accomplishments

Posted using ShareThis

Here is the start of my accomplishment list for this year:

Started and maintained a blog
Got into my first juried show, Women's Caucus for Art "Herstory" at the Women's History Museum
Participated in the Women's Caucus for Art member invitation at Queen Bee's (formerly 8teen Art and Cultural Center)
Started in the world of social networking
Participated in the smARTist Telesummit 2009
Got hooked on the Art Biz Coach's blog and book, "I'd Rather Be in the Studio"
Featured article in SDSU's Daily Aztec
One of the featured artists in an article on Encaustic by America Creates
Participated in an Encaustic workshop at the San Diego Art Department
Participated in Artist Trading Card Workshop (ATC) at Escondido Municipal Gallery
Initiated into SDSU's Mortar Board Senior Honor Society
Won a scholarship from CSEA - GCCCD union employee scholarship
Won a scholarship from Mortar Board for outstanding community service
Won a scholarship from the Junko Koike for study abroad in Japan
Won a scholarship from Fu Foundation as the 2009 Fu Scholar for study abroad in China and Japan
Participated in a two week study abroad tour to China and Japan
Took Japanese I with Dr. Higurashi at SDSU (hardest academic class I have taken)
Took Beginning Woodworking and Furniture Design at SDSU with Wendy Maruyama (hardest studio class I have taken)
Took Handbuilt Ceramics with Joanne Hayakawa at SDSU
Took Figure Drawing with Jeanne Dunn at SDSU
Took Intermediate Sculpture with Richard Keely at SDSU
Took Figure Sculpture with Jesus Dominguez at Grossmont
Taught Beginning Encaustic Workshop at Escondido Municipal Gallery
Taught Encaustic Technique Workshop at the San Diego Women's Caucus for Art Annual Retreat
Learned more about and experimented with 3-D encaustic sculpture
Developed "micro-movement" type art projects called Art Actions
Visited Luis de Jesus Seminal Projects Gallery
Visited Escondido Municipal Gallery
Visited the Buddhist Center of San Diego for their annual Food and Music Festival
Participated in monthly San Diego Women's Drum Circle
Participated in Drumming and Movement Workshop (uncomfortable but made me grow)
Participated in Family Constellation Workshop (uncomfortable but made me grow)
Participated in the Stone Soup Challenge
Participated in a collaborative mail art project (tried and failed at this by holding everyone's pieces too long)
Started a mailing list (although I still haven't sent out any newsletters)
Investigated different art file management programs
Got a person art website (template) and actually put something on it!
Got more involved with the San Diego Women's Caucus for Art
Started blogging for the SD/WCA
Transitioning into being President of the SD/WCA for 2010
Re-joined the San Diego Writers Ink
Joined the International Sculpture Center
Joined the Encaustic Ning and Owning Pink Ning
Found awesome sites for growth and creativity Owning Pink and Journey Juju
Read more SARK online
Subscribed to Art News, Art in America, Works and Conversations and Sculptural Pursuit Magazines
Read and bought issues of Stampington Co: Somerset Workshop, Artful Blogging, Art Journaling, and Cloth, Paper, Scissors
Submitted art to Women Made Gallery juried show (did not get in)
Made an online tutorial/demo for Encaustic Monoprints
Made new business cards featuring my current art on them
Made connections (in person or online) with artists Lisa Bebi, Renee Richetts, Helen Redman, Gray Gray-Adams, Thea Haubrich, Lissa Rankin, Ellie Benfatti, Cynthia Morris, Lincoln Maynard and many more
Was able to honor artist/professor David Fobes at the Mortar Board Faculty/Staff Appreciation Dinner
Submitted art for the Featured Artist section of the National Women's Caucus for Art
Attended lecture by Janet Koplos (check out my essay "Redefining Craft" on this talk here)
Attended Visiting Artist talk by Tom Loeser
Attended Visiting Artist talk by Virginia Scotchie
Saw shows by SDSU student work
Saw SDSU gallery show "Animalkind"
Saw SDSU faculty show
Tried wood carving, stamp carving, watercolor crayons, assemblage, intuitive knitting, oil pastel over magazine collage, art journaling, encaustic on photographs, encaustic on 3-d forms, oil sticks, encaustic on board and fabric and working in plywood.
Wrote a blog post "100 Contemporary Artists you need to know, NOW"

and the single best thing to happen to my art career in 2009 is that it started! I am finally getting my work out for other people to see. I am still developing a solid portfolio, connections with others, and ways to show my art, but I got a firey start on this year by attending the online smARTist telesummit and reading the Art Biz articles and books.

Thank you to everyone who supported me in this fabulous year. It is never easy, but it takes each of you who helped me in some way with a kind word, a critique or an opportunity. I am looking forward to great next year with a much longer list of accomplishments!

Your Turn:

What is your list? This is what I could think of in a hour. I could probably do more over time. A year goes by very fast (and seems to get faster as we age), but what are your accomplishments. Post a comment here to let us know or just spill it into your journal or blog post. Either way, make sure you honor your busy year with a toast to your attempts and successes!

Happy art making! Enjoy your holidays! ~ Jaime Lyerly

Redefining Craft - My Essay on a Lecture by Janet Koplos

Pablo Picasso, found object assemblage

As I finish up the last hectic weeks of the semester, I am trying to find some time and energy to blog, make art and relax. Since none of that has happened recently, guess what, I got a cold. When you are running at full force for as long as I have, it is hard to remember that my immune system cannot keep up. Nevertheless, I am here and ready to share what is the most creative non-fiction that I have written in a while - an essay based on a lecture.

In October 26, 2009, Janet Koplos, Guest Editor at American Craft magazine and Contributing Editor at Art in America was a brought in by the San Diego State Art: Applied Design Department as a guest lecturer. It was wonderful, and I hoped to write about it right afterword. However, life gets in the way of my best intentions, but as luck would have it, I needed to do a write up of one of the lectures that I attended this semester for my Woodworking class. So better late than never!

I believe that this essay can stand on its own without seeing the slide show or hearing the lecture. The topic of CRAFT vs. ART is fascinating and one that every artist will face many times in their life. I hope this essay will stimulate you to comment or just contemplate how this battle of words affects you as an artist.

Redefining Craft by Jaime Lyerly, 2009

Craft. The word by itself brings up images of Styrofoam balls covered in sequins, pompoms and lots of glitter. There are Michaels’ stores, which have “arts and crafts” listed in their title. If you go to there craft section, the above materials will be found, along with colored foam, fuzzy pipe cleaners, googley eyes and assorted other little trinkets that had no where else to be stored. It is a sad day for the word, craft, when its definition is limited to what can be found on the aisle of Michaels. Janet Koplos, Guest Editor at American Craft magazine, Contributing Editor at Art in America, and co-author of upcoming book Makers: A History of American Studio Craft, written with Bruce Metcalf, wants you to look past the initial response to the word, craft, and see that it is no different than the word art. Koplos’ has a unique position as the editor of two different magazines and her role is to help redefine craft. Also by authoring a book specifically on crafts, her role becomes one not just of editor but also one of the defining voices in an area where there appears to be lacking a solid and academic representation. In her SDSU Visiting Artist Lecture on October 26, 2009 entitled "A View of the Maelstrom," Koplos showed a history of art and craft via slides, and defined three main points: questioning our need to separate craft from art; the need for a visual vocabulary specified to the craft being critiqued, and a shift in mentality from craft-exclusive to “craft-proud.”

Through slide examples, Koplos shows how the histories of art and craft have not always been separated as they are today. From the ancient Etruscan pottery to Picasso’s work in clay, found objects and metals, craft has been a part of art making since its inception. Craft is now defined by the art community as use of particular materials such as fiber, wood, jewelry, clay, book and paper-making. However, in these days of mixed media, how can craft be separated from art? Is it function that makes it craft instead of art? It is the intent of the creator? Is it manufacturing techniques? Is it material use only? Is it concept? When does a work stop being craft and become art? When does it go the opposite direction and start as art but then become craft? These questions were not answered by the Koplos, but they loom overhead during the lecture for the listener to answer themselves. By showing art that can be defined as art or craft, Koplos asks us to question why we need to categorize it all. This separation makes the artist have to choose one category to stand firmly in, instead of letting the art establish its own genre and intention.

Another key point of Koplos’ lecture was the need for critics and people reviewing craft-related objects to have their own visual vocabulary to describe the work. For example, according to Koplos, tapestries need address a different set of questions than a painting. Although both a tapestry and a painting may be wall hanging and relatively two-dimensional, they need to be critiqued by a reviewer who is familiar with the materials being used. Someone who is familiar with the applications and limitations of acrylic paint may not have the same qualifications when faced with a tapestry. Each material has its own benefits and limitations which cannot be ignored when critiquing the artist’s work. Koplos advised that we need critics who are willing to educate themselves on craft related materials, so that they can best describe the materials in front of them. By placing painting expectations on a tapestry, we are limiting how the creator can interact with their audience, and ignoring the history of fibers from which this tapestry can ultimately be judged. Taking down the walls between art and craft does not mean ignoring the history of the materials used and the objects relationships with those materials. We need a shift in mentality about art identified as craft, which leads final point in the lecture.

Koplos described in her lecture an artist who was advised by a gallery to delete all references to craft in her Curriculum Vitae. She continues on that this artist was able to project a craft-free image and therefore to get into more exclusive art galleries. Koplos believe that this cleansing of the Curriculum Vitae to remove all traces of the word craft is harming to artists who do not see fit to do so. She finished the lecture by showing some screenshots of the newest movement in the craft world – the DIY or Do-it-Yourself crafters. Websites such as Etsy.com gives people a way to make handmade, one of a kind items and sell them to others over the web. It is the eBay of crafts. Koplos said that the people selling on Etsy.com are “craft-proud” and that is the attitude that fine artists working in craft related mediums should adopt. She does point out that the quality on Etsy.com varies tremendously, since anyone can post and sell items without any formal training or quality control. However the attitude of proudly proclaiming your craft is one of inclusiveness, and is a welcome change from the exclusivity of the art world.

In conclusion, Koplos’ lecture was a fascinating look into a world in which I was only barely familiar. Her slides included many works that I would categorize as craft, such as functional ceramic bowls and works that I would never even consider in that category such as Kiki Smith’s figures or Tara Donovan's swell of white cups. To question what is art and what is craft is inviting exclusivity that is neither necessary nor wanted. Magazines such as American Craft and Niche provide a place for artists to show items that proudly pronounce their craft materials to the world. Can they be art too? Of course, if the creator so deems it. Koplos’ point about needing critics who are willing to look past the word craft and actually learn about the specific materials that are included in that broad title rang true to me. Since I love writing about are as much as I love looking at it, I see this as a call to action. I believe that there is a niche that can be filled by a new generation of art critics who will be inclusive with their writing and they will help redefine the word, craft - one article at a time.

Feel moved to comment? Please do! I am not sure how the format of a typical 5 paragraph essay works for blog readers, but I am trying out something new here. Academic writing is part of my life as a student, so I thought it was time to share. Maybe next time you will only get an excerpt. Now back to my regular scheduled hectic life!

Happy Art (or Craft) Making. Be Craft Proud!

Jaime Lyerly

Family Constellation Healing Workshop with Ellen "Ellie" Benfatti this Saturday, November 21, 2009 in Vista, CA

Artist, Healer, Workshop Facilitator and 2010 VP. of WCA/SD Ellen "Ellie" Benfatti

The San Diego Women's Caucus for Art Retreat last weekend was such a joy. Not only did I get to do one of my favorite things in the world: teach encaustic painting, but I was able to participate in other workshops and get to know the amazing women who went. To see a quick blog post about the retreat, click on the link above. More blog posts to come as I sort through the retreat pictures. One of the amazing experiences was participating in Ellen "Ellie" Benfatti's Family Constellation workshop on Friday night.

I am not sure I can explain exactly what happened during the workshop, but we as a group decided that is was the balance between left brain and right brain that we wanted to work on. Since my blog is usually about art making, art shows and techniques, I am not sure how much detail you all want me to go in about the healing experiences.

To sum it up, I was so moved by the experience that I was on the verge of tears at the end. I have never felt balance like I had at that moment. My energy is ALWAYS fragmented and pouring out in different directions at the same time. I can focus on one thing, such as working on an art project for hours, but there are almost always different steps to take to keep me interested. Plus, it is easy to work on art because it is fun.

It is the left side of my brain and my life - credit cards, debt, bills, obligations, homework, chores, cleaning, promises that I made - that I am so overwhelmed with that I ignore them and hope they go away. They don't and I am just left with MORE STRESS and I disappoint people that are counting on me. It is my fatal flaw. And I am working on fixing it.

Therefore, I am going to Ellie's Family Constellation healing workshop this Saturday. I had many other things planned for this weekend, but if I can feel even a moment more of that balance, it will change me for the better. By talking to Ellie this weekend, I realized that devoting some time to understanding and working through my own stuff, I can change the energy that I give out and receive.

Check out the information below and RSVP for it right away if you are in the San Diego area. The workshop is being held all day this Saturday at a private residence in Vista. It also is normally $300 for this group session, but she is discounting it to $35 to give an opportunity for others who are more financially strapped to participate. It won't be the same without you there! We need you!

Here is the information about Family Constellations from Ellie's website:

FAMILY CONSTELLATIONS

Family Constellations have proven to bring balance to the individual requesting the constellation as well as other family members. In most cases the other family members aren't present during the session. A constellation can be done in private, on the phone, or in group.

Constellation by definition means a cluster. Ellie believes that when there is an unresolved trauma in a family its members will cluster around the trauma. Unfortunately, the clustering is often an attempt to hide the trauma. In most cases the desire to hide the trauma is done out of a "blind love" for the other family members. Usually the "hidden" or "secret" part of the trauma is thought of as a way to protect the children, victim, perpetrator, or the innocent. If this happens the trauma remains hidden and creates an imbalance with in the family's soul. When a client chooses to revisit the trauma through a family constellation an immediate sense of wellbeing can occur. It's as if everyone in the family has been waiting to acknowledge and move beyond the trauma. In most cases, immediate relief, a feeling of lightness, and wellbeing occurs. This relief is often felt by both the client and the other family members. The magical part is that 99.9% of the time the only member of the family present is the client. The outcome is a more loving connection to each other and the people around them. This allows the family to experience a "knowing love." This love is expansive and allows all members to feel more connected and accepted by their family. This feeling is essential for experiencing peace and wellbeing with in the family's soul.

When choosing to have a private constellation colored fields or small objects are used to identify the people and elements needed to conduct the constellation.

When choosing to participate in a group constellation individuals are chosen by the client to represent the people and elements needed to conduct the constellation.

When choosing a phone constellation a client may choose to sit or stand in a room that would allow them to utilized objects surrounding them to complete the constellation. Ellie will guide them over the phone.

Is a Family Constellation right for me?

A Family Constellation is an approach to healing that incorporates the entire family system. The foundational belief it is that when there's been a trauma to the family that hasn't been resolved or restored to balance it can reappear in future generations. Often times when the trauma manifests the descendant who carries this trauma may or may not be aware of it's origin.

When contacting Ellie she can evaluate your situation and decide if doing a constellation would be appropriate for your circumstances.

In many cases physical, mental, and emotional issues are resolved and the client feels an immediate sense of wellbeing.

Constellations can be useful in resolving issues around:

Divorce, Death, Addiction, Abortion, Miscarriage, Illness, Depression, Anxiety, Sexual/Mental/Physical abuse, Loss, Adoption, Loss of Job, Money, Slavery, Moving from a homeland, Victims of War, Religious or Racial differences, etc.

Ellie is not a licensed therapist or Dr. Ellie was trained at The Constellation Institute of Santa Barbara by Dr. Dyrian Chartrand Benz and Joanna Benz Chartrand. Ellie is respected as one of the most intuitive constellation facilitators in San Diego County.

Fees:

Private Session $125.00

Group Session $300.00 per day

Representative $115.00 Per day

A sliding scale is available if you desire partial scholarship.

November Special attend Nov. 21st and receive a private for 1/2 price.

Next workshop is scheduled for this Saturday, November 21, 2009 from in North San Diego County (at a private residence in Vista. Directions provided at RSVP).

Session Runs from 9:45 am to 4:45 pm, with break for lunch

Lunch 12:30 pm - 1:45 (bring your own picnic lunch).

Special Price for November 21th workshop is $35!

Here are some comforts I always recommend participants bring along for their journey.

Sweater, Scarf or Small lap blanket.

Water

Healthy Snack (most of us bring enough to share)
Lunch

If people are interested, I will blog about my experience with this workshop afterword. I don't want to get to far off track from my love of sharing art with other, but this is about the WHOLE PERSON. I am striving to become a better artist but also a better person in general. These type of workshops and the energy I get from the San Diego Women's Drum Circle every month held lead me into a more sacred space that is healing for all.

I hope you can join me at this event. Please email Ellie Benfatti right away with any questions and to RSVP for this Saturday. You won't regret it.

To healing the whole person - and making art! ~ Jaime Lyerly

Art Marketing Action: Resist the urge to be The Fixer

I am swamped with my own projects/classes right now, and having difficulties finding time to do anything but the bare minimum for my classes, work and life in general. But again, I couldn't resist sharing these wonderful Art Marketing Action tips from the Art Biz Coach.

This one calls out to me as loudly because I admit - I am "The Fixer."

Art projects, Writing, Resumes, Blogs, Motivation, and everything in between; I will try to help. I don't even need to be asked, I WANT to help. But if the person is not ready, all it does is make me stretch my time thin and the person's life/art/whatever I am trying to "fix" stays exactly the same as it was before. So I am going to try my best to Resist the urge to be "The Fixer."

Art Marketing Action: Resist the urge to be The Fixer

Posted using ShareThis

Check out this article and let me know what you think. I promise not to try to "fix" you.

I hope to have my life balanced a little more evenly soon. Then I can get some real blog posts and in progress pictures up.

Until then, Happy Art-making! ~ Jaime Lyerly

Back to Work and Classes!

Sorry I have been neglecting my blog! I was sick with a cold for about a week and half and it really took a huge toll on my body. But I am back to work, and will be blogging again about my art experiences soon.

I am going to start a new semester at San Diego State University, tomorrow which is always exciting. Because of my wonderful summer Study Tour to China and Japan, I am taking Japanese I this semester in preparation to apply for an exchange program for next Fall. I am especially nervous about this class because even though I am a senior and this is only a 100 level course, it is a language that I have just began to study. Is 32 too old to learn a new language? I hope not!

In addition to my language class, I am taking an online Anthropology class, beginning Woodworking and Furniture design, and figurative sculpture with Jess Dominguez. So I am looking forward to a busy semester. I promise to keep making art and posting in progress pictures like always.

Until then, Happy art making! ~ Jaime Lyerly