Jaime Lyerly Art : 04/2010

Monday, April 26, 2010

Thread Sketches - Process and Elaboration

In my post, Thread Sketches - Exploration of Universal Symbols through Machine Embroidery, I gave you a peek at some of my newest non-encaustic / fiber related work.

Now, I want to show you a little of the process and the elaboration that has occurred with these pieces. First, the process.

I was inspired by drawing/carvings on leaves done by Ana Mendieta whom I wrote a research paper on recently.

To give you a taste of this work, here are some of the leaves scanned from the book Ana Mendieta: Earth Body by Olga M. Viso.

Leaves by Ana Mendieta, from Ana Mendieta: Earth Body by Olga Viso

I started my exploration with machine embroidery on fresh magnolia leaves.

Fresh Magnolia Leaves

Here is me working on the leaves (with my freshly dyed purple hair and purple finger tips).

Here are the finished projects two days after they were completed. They have already began to lose their coloring around the stitches.

Machine Embroidery

I then started hand embroidering and pricking designs on the leaves at home. These took much longer than the machine embroidery, but were easier to control.

I could embroider through thicker and bigger leaves with this technique.

Hand Embroidery

This leaf was scanned in about a week after it was done. The white slowly covered the entire area that had been pricked or manipulated.

The back side of the leaves look different than the front.

I continued this exploration of hand embroidery about a week later, shaping them into forms with the thread.

I used a variety of techniques on these leaves.

We began needle felting in my fiber class, which is using wool roving and a barbed needle to puncture the roving through felt.

Here is a short video on needle felting by artist and author Rice Freeman-Zachery called Needle Felting 101

To learn more about needle felting, you can check out Outback Fibers which is where we get the roving.

After a few tests on felt, I knew that this technique would work on my magnolia leaves.

Needle Felted

Here is how this Thread Sketch changed over a week.

I liked how the felt looked like it was growing out of the leaves, so I enhanced that by punching the felt on the "wrong" side.

So what did we learn?

You can embroider or needle felt through anything that you can get the needle in
Natural materials change over time in interesting ways
Anyone can do embroidery or needle felting!
Experimentation is GOOOOD!

That last one is the reason I write this blog - to support other artists by showing them my experiments in hopes that they will be inspired to create.

Your Turn:
Experimented with any new media or techniques recently? Ever tried embroidery or needle felting on something other than cloth? I would love to hear about it! Leave your comments here and share it with us.

Happy experimenting! ~ Jaime Lyerly

Thursday, April 15, 2010

Call for Entries - San Diego Women's Caucus for Art Member Show "A World of Art"

Oops, I am a little (okay a lot) behind on reading my emails, and almost missed the deadline to post this.

If you are a woman artist in San Diego, CA, you won't want to miss this show!

Dear San Diego Women's Caucus for Art (SDWCA) Members,

Don't miss this opportunity to participate in

"A World of Art" - a SDWCA Group Art Show!

May 1 – May 15, 2010

Share your art with the other members, their families, friends, and colleagues.

See attached flyer for all the details and your

entry form. (Bring it with you when you drop off your artwork).

Contact Midge Hyde with any questions you may have and to register your entry.

619.466.3711, midgehyde@gmail.com

Please forward this to anyone you know who is interested in joining SDWCA and entering the show.

ENTRY DATE IS TOMORROW! April 16, 2010 at 6 pm.

~ Jaime Lyerly

Monday, April 12, 2010

Blog Triage - HW #3 - "About me" Revamped

Where does your path lead?

Like any slacker student, I am choosing to do the homework I like first before the others. Therefore, for my Blog Triage homework, I am skipping #2 for the moment. Don't tell the teachers!

Blog Triage Homework #3 is about revamping our "About Me" page.

Hooray! I have had roughly the same "About Me" page on Blogger since I started the blog in January 2009. Adding a few sentences over the last few months does not count as revamping, so it is time.

How could my "About Me" be the same if the "ME" part of it is not? Haven't I grown in over a year? Haven't you grown?

So rather than fix up the "About me" page and secretly hope that you never see the previous one, I decided to make a blog post to tell you where I was, and where I am NOW.

"About Me" Before:

I am a mixed media artist trying to bridge the gap between personal narrative and art made for the public eye. My works speak of the ambiguity of our future and our connection to the natural world. As a mother, I try to make the best out of what has been given to me and my art reflects that never-ending effort. It is messy, layered, personal and uncertain – just like everyday living. Found objects, discarded materials and branches from nature blend together with beeswax and hand-knitted yarn to create art that is familiar yet hauntingly distant from its original function. My current work is in exploring the limits and versatility of encaustic (molten beeswax applied hot, resin and pigments) in two dimensional and three-dimensional forms. My explorations include traditional encaustic paneling on panel, but also working three dimensionally with the wax to find out how far it can be removed from its' support. I manipulate the wax using heat, and combine it materials that are not used in traditional encaustic painting. I then examine how it is affected by light, motion, and heat. I love to share my process with others.

This "About Me" is basically my artist statement (which also needs lots of help).

To re-write this, here is a little free-writing...

What's the same:

Working in encaustic wax and beeswax
Sharing my process
Still a mother, artist and blogger
Being a nerdy, scholarship-winning honor society art undergraduate student
Tattooed, opinionated, talkative and easily distracted
Playful and full of enthusiasm
Son calls me "Visser One" and say "yes, my evil master..." when I assign extra chores
Interested in Conceptualism, Art History and Psychology
Love to read
Experimentation and process art
Creating something everyday
Love to support other artists
Being a procrastinator

What is different:

My son is starting high school next year (that statement makes me feel old...)
My purple hair
Seeking more of a spiritual connection and balance in my life
Fiber becoming more important to my work
Working more in 3-D encaustic sculpture
Scientific exploration and research more important
Blogging/documenting a larger part of my creative process
Started teaching workshops in Encaustic Painting

So let's combine these together...

See my new (and improved?) About me page.

Updated my fancy purple hair picture too in case that natural color was throwing you off.

"Going outside to work!" I holler to my family as I tie up my purple hair and don my wax-covered apron. With encaustic wax melting on a palette in my studio/balcony space, I juggle birch panels, fiber creations and my digital camera as I head outside. Why? Because you need to see an enthusiastic mixed media and encaustic artist at work. And that is why I am here - to share my process with you.

Encaustic (molten beeswax, damar resin and pigment) is an ancient medium that has grown in popularity in contemporary art. It can be combined with mixed media, collage, wood, fiber, and be transformed into paintings and three-dimensional objects with a luminosity that any medium would envy.

Want to know more? Follow, subscribe to my blog, or my newsletter for all the waxy details. I occasionally teach encaustic workshops in San Diego, so do not miss your chance to fling some wax with me.

Fair warning: my blog is not ALL about waxy bliss. I share tips about social networking, art marketing, San Diego events and unique Calls for Artists. I blog about spiritual growth, community involvement and balance seeking. I write tutorials on art techniques and share my own and other artists' artwork and creative processes. I even blog about blogging and make stuff everyday... anything that gets the creative juices following. However, I cannot do all this without YOU!

So join me on this inspirational path as we find out why "Art making is a Journey."

Whew! Let's hope it is not another year before I update that again.

What do you think? ~ Jaime Lyerly

Sunday, April 11, 2010

Thread Sketches - Exploration of Universal Symbols through Machine Embroidery

Fiber has becomes an important part of my art recently.

It has opened a new world of art making with a meditative and repetitive process that keeps my hands busy making while my mind is off somewhere else.

Here is the short story of how I got to this point. Read on and be inspired!

Over the summer, I started to intuitively knit sculpture using a loom while the San Diego heat blazed on. It was a savior for me to be able to make something when it was too hot to turn on my encaustic wax.

Every time I would heat up my encaustic wax outside, I questioned my sanity! You don't want to know how miserable I was during this heat. All I wanted to do was make something that didn't require a heat gun.

Knit, knit, knit. I made odd shapes in soft, blood red yarn. They looked like shirt sleeves that morphed into pig organs. But they were fun to make.

So next semester, I enrolled in a Fibers class at San Diego State University which worked with my schedule, which was Fiber Surface Design. Can you imagine my surprise when this class expanded my view of art completely?

Since I have been studying "fine art" at SDSU, I was ignorant of a whole world of contemporary art which is normally shoved under the category of Craft.

My instructor, Kathryn Harris, is an amazing and has opened my eyes to a world where art and craft not only tolerate each other, but actually work together to create art that is unique. Thrilling, right?

So I have a new body of work that is fiber without encaustic wax that I am not sure where it fits into my portfolio. But it is so exciting, I have to share it with you! Here we go...
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Thread Sketches - Exploration of Universal Symbols through Machine Embroidery

Machine embroidery is new to me.

Two months ago, I learned how to hand embroider in Kathryn Harris' Fiber Surface Design class and I love it. It is slow and repetitive. It can be painstakingly exact and rigid.

But it can also be fluid and intuitive. I have replaced my pencil and paper with needle and thread.

So when we moved from the hand to the sewing machine, I was not excited. Why would I want a machine to do the work for me? Because a machine can do what I cannot.

What is free-motion machine embroidery? It is embroidery that can be done with a sewing machine that uses a foot that allows you to move the fabric all around instead of just front to back.

Check out this quick, un-intimidating video by author Rice Freeman Zachery which shows free-motion machine embroidery as an easy way to add decoration.

Free-motion embroidery on a sewing machine is just another tool for expression.

I took scraps of fabric and using the free-motion embroidery foot on the sewing machine, drew on the fabric the universal vagina symbol. I made some more.

The top thread and the bobbin thread are different which makes the front and the back of the piece look different. I love the duality.

White on black. Black on white. White and gray on black. White and gray on white. Black and gray on black. Black on black. The possibilities with only three hues...

I hung them on the wall with pins like my fiber and encaustic sculptures "Fibrous Waximus". Still wasn't sure what to do with them. So made some more.

I made some thread lace using Solvy which is a water soluble plastic wrap. You take one piece of solvy, put some threads on top, then another piece of solvy on top of that. Then you sew through all layers. Rinse the solvy off of the piece and all that remains is the thread.

After showing them to Kathryn, she suggested I try machine embroidery on Solvy. That opened even MORE possibilities.

After doing research on Ana Mendieta for my Contemporary Latin American Art class, I was inspired by her Silueta series.

Ana Mendieta Silueta Series

I made a small homage in machine embroidery to compliment her large scale outlines of the human body.

I embedded a small leave in the belly of the figure to hint at the natural world.

I made another...

Inspired by these, I decided to further my homage to Ana Mendieta by doing machine embroidery on actual leaves.

Mendieta did drawings by piercing on green leaves of universal and feminine symbols. She embraced the changes in the leaves from green to brown.

These have already changed colors, and curled since I first made them on Saturday, and when I scanned them on Sunday. How do you think they will change?

See those gray spots on the left side in between the stitches? Those were not there on Saturday when the leaf was fresh and full of juices.

So what did we learn from this experiment?

Art or Craft? Both? Either way, it is a new way to work
Machine Embroidery is easy to do
Thread lace and solvy are more tools to use
You can bend and break the rules of what is fiber
Inspiration comes from many sources
and for me...Not everything in my artist portfolio NEEDS to be covered in encaustic wax!

I titled these "Thread Sketches" because that is really what they are. A sketch without paper and pencil, and a new way to work.

Your Turn:

I would love to hear what you think! Experienced in the ways of the sewing machine? I bow to your expertise. Always wanted to try free-motion embroidery? Let me know if this helps you to get started.

Happy sketching! ~ Jaime Lyerly