Showing posts with label Encaustic Sculpture. Show all posts
Showing posts with label Encaustic Sculpture. Show all posts

Thursday, August 12, 2010

Jaime's going to Haystack!

Haystack's photo of the week for this week. A view of Haystack of Haystack from Jericho Bay, August 2010.
See more photos at this link: http://www.haystack-mtn.org/gallery.php 

I flipped through the pages of the Haystack Mountain School of Crafts Summer workshop catalog in January 2010, and my breath caught as I see the words “Encaustic Painting.” (If you haven't heard yet, encaustic is pigmented beeswax and damar resin that is applied hot to a surface. Encaustic means to burn in).

At San Diego State University (SDSU), where I am finishing my BA in Art: emphasis sculpture, minor in Psychology, there is one scholarship awarded to a student from the Applied Design program to attend Haystack for a summer session.

While the scholarship was awarded to a graduate student, the idea to attend this outstanding school was firmly planted in my brain. I gathered images, updated my resume, made a list of my technical abilities, and sent emails to my amazing and overworked professors to request letters of recommendation.

Having two years of experience working in encaustic and a few encaustic-teaching gigs under my belt, I told myself “I can do this!”

So I applied for the Technical Assistant Scholarship to the “Hot Wax: Encaustic Painting Comprehensive” taught by R & F Instructor Cynthia Winika – and, you guessed it, I won!

Now it is the second week of August, and the time has finally come!


I am leaving this Saturday, August 14, 2010 on an overnight flight for two weeks of intensive study of encaustic painting on the coast of Maine!

Some of the artists who have attended Haystack tell me that it was a momentous time of growth.

SDSU MFA ceramics graduate Kelly Schnorr told me that during her time as a Technical Assistant at Haystack that everyday she woke up thinking she was in heaven.

I know I am in for a life-changing experience.
 
 Haystack sums it up:

The unique experience to be found at Haystack is owed to the combination of internationally-renowned instructors, intensive and focused studio time, the exploration of other art forms including music, poetry and dance, a diverse student body, and an award-winning campus. Students live, eat and work at the school, and studios remain open 24 hours a day, seven days a week. 

Are you jealous, yet? I would be too!
 
The workshop description for Cynthia Winika’s Hot Wax: Encaustic Painting Comprehensive gives you a clue to what is in store:

Encaustic (beeswax) painting, derived from the legendary painting of the ancient Greeks, is one of the most versatile, durable, and beautiful painting media. After being out of use for 2000 years, it has made a recent resurgence. This workshop will provide a basic understanding of sound technique, safe studio practice, and show the many ways of using the paint and medium. Preparation of supports, thermal properties of encaustic paint, fusing, and demonstration of a wide variety of painting, layering, collage, solvent free image transfer, and mixed media techniques will be incorporated. Slide presentations will include information about the history of encaustics, 20th century revivals, and contemporary artists working with encaustic. All levels welcome.
 
As the technical assistant for this workshop, I have a unique position in that I am able to attend the workshop, help the instructor, do a presentation about my work, exhibit two pieces in their show, and work on my own art during the free time. All this and meals included!

I am more than looking forward to enjoying all this experience has to offer. I have never had two weeks away from my partner and thirteen-year-old son to be able to focus on my art, so this gift of time is especially moving.

Yet the excitement of having two weeks to work in wax has me all aflutter as I pack my supplies that I want to bring it all!

I just found out that the encaustic supplies are included in the studio fee, but I still need to pack my own panels, papers, and tools. It is a few days before I leave and still packing up and pairing down what I need to bring.


Bottom Line - Two weeks in Maine with studio time devoted to encaustic painting? Heavenly.


Want to hear more about it? Great! I don't expect to have much computer time while I am there, but I will write up an “After Haystack” post including experiential pictures and studio shots that I know you want to see.


Until then, you can pop over to my Facebook page or Twitter and send me a “Good luck at Haystack” message or share some “I heart Haystack” stories and tips!

Looking forward to sharing my experience with you! ~ Jaime Lyerly

Friday, July 30, 2010

Luminous Layers: Exploring Contemporary Encaustic - Video by Linda Womack

Finally! A great video which shows the shows the versatility of encaustic (hot beeswax) painting and sculpture by contemporary artists.

The video below is by Embracing Encaustic author Linda Womack who was also the curator of the Luminous Layers: Exploring Contemporary Encaustic at the Lake Oswego Festival of the Arts in Oregon.

The show is now closed, but you can get a peek at the work in the video below.

I personally love the sculptural encaustic works, and I am dying to find out the name of the artists. Since 3-D encaustic is where I am working, it is great to find more artists who have "mastered" the techniques and are showing them out. When I get the name of the artists, I will be sure to share them!


So how about you? What is your favorite work in this video? Share in the comments below.

Luminous Layers: Exploring Contemporary Encaustic Video


You can read more about the Luminous Layers show on Linda Womack's Embracing Encaustic blog.

I love encaustic! ~  Jaime Lyerly

Tuesday, May 4, 2010

"Dialectic" exhibition at the Encaustic Art Institute, New Mexico

New exhibition from one of my latest affiliations, Encaustic Art Institute. If you are in New Mexico, go check it out!

IMMEDIATE RELEASE
Contact: Harriette Tsosie, President, Encaustic Art Institute
575/779-7941

"DIALECTIC”


Artists who work in encaustic (pigmented wax) are partnering with artists who work with other media in a new exhibition--”Dialectic” -- opening Saturday, May 22, 2010 at the Encaustic Art Institute.

The Institute will host an opening reception from 1:00 - 6:00 PM.

Participating artists and their collaborative team include:
Fionna Buck and Cathleen Higgins;
Andrea Cermanski and Tanya Story;
Diane de Fremery, Susan Varon and Judy Van Heyst;
Linda Fillhardt and Maryellen Stewart;
Stephanie Huerta and Thea Witt;
Douglas Mehrens, Adam Eisman, Linda Leslie, and Lee Manning;
Barbara Michener and Jane Belew;
Cherry Whitener Rohe and Jamie Rohe;
Russell Thurston and Joel Nakamua;
Harriette Tsosie, Donna Caulton and Belinda Edwards;
Paula Verona and Nicki Marx; and
Carol Ware and Vahid Mojarrab.

Located just north of the historic village of Cerrillos and about 18 mles south of Santa Fe on the Turquoise Trail, the Encaustic Art Institute is a non-profit organization dedicated to promoting and exhibiting encaustic art.

Its distinctive Pyramid Gallery is open weekends from 1:00 - 6:00 from March through October. Take Highway 14 south of Santa Fe or north from Albuquerque. Turn East on County Road 55A (General Goodwin Road). The Institute is at 18 County Road 55A.

“Dialectic” continues through June 2010.

Check out the Encaustic Art Institute's blog for upcoming events.
~Jaime Lyerly

Friday, April 2, 2010

Fiber and Encaustic Sculpture - Collection (Fibrous Waximus)

I am finally going to share one of my most exciting projects with you! Yay! This post is about the piece itself, and I will have another one in the near future about the process. Enjoy!

Concept:
Collection (Fibrous Waximus) explores the realm of art as creation and scientific collection.

Fibrous Waximus is displayed like a insect collection by the T-pins which links the fiber world and the world of science.

Collection (Fibrous Waximus), installation view
Part of the SDSU Student Exhibition Award XII in March 2010
© 2010 Jaime Lyerly

The shadows of the piece are sometimes more substantial than the piece itself and change as the viewer moves around the piece and the collection. Each interact with the neighboring piece either with form or shadow to create an interactive community.

This exploration is continued in Fibrous Waximus II and III, in progress.

Materials:
Embroidery floss hand-waxed with encaustic (pigmented beeswax and damar resin) paint and then hand shaped, and hung on t-pins directly into the wall.

Dimensions variable.

Details of each piece below so that you can see each form as a separate unit.

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

Collection (Fibrous Waximus), detail © 2010 Jaime Lyerly

So after 46 images, what do you think?

It is hard to show exactly depth of each piece and them as a whole via pictures on the internet but you get the idea.

I am personally obsessed with this work and feel it is an exciting new path for my artistic development.

As always, thank you for letting me share my process and work with you!

Happy art making! ~ Jaime Lyerly