Showing posts with label Artists supporting artists. Show all posts
Showing posts with label Artists supporting artists. Show all posts

Tuesday, November 1, 2011

Top 10 reasons why Spiritual Practice makes you a better Artist

Praying Hands by Albrecht Durer


Spiritual practice has become an important part of my life. And I want to encourage you to make the connection in your own. 

Whether you pray, meditate, practice yoga, do rituals, walk in nature, chant, sweat out your prayers via dance, or just sit and breathe, it all helps you feel connected to the Divine. 


But can it make you a better Artist or more creative?


I say YES! 

Read on and see what resonates for you: 

Top 10 reasons why Spiritual Practice makes you a better Artist. 

1. Spiritual practice keeps you CONNECTED to the Divine
Connection to the Divine is one of the top reasons why you a daily spiritual practice can be crucial to being creative. 

When you pray, what do you feel? How about when you dance? Or sing? Or Meditate? Each time you tap into the power inside of you, a connection is made to the divinity inside of you. 

Even if it feels like a faint whisper of spirit, it is there. Breathe. Listen. And know it is there for you always. The Divine is waiting for you to tap. Once you tap into the connection inside of you, the ideas for your artistic practice just flow out. It is a channel that you open each day with your breath. And that channel gets clearer the more you open it.    


2. You are more AWARE
The "devil" is not in the details - God is! By slowing down, you see details you miss when you rushing.

Do you know the softness of your cat's fur? How about the texture of rose hips? The sound of a hummingbird's flutter? The smell of eucalyptus bark? The curve of your beloved's hips? The color of your mother's dress in a faded photograph? These details can translate into inspiration or textural details in your art. Even if your art work is abstract, it will be influenced by the details you observe. These details ARE the magic of life.


3. You are more IN YOUR BODY
 The spiritual practices of dance and yoga move you more fiercely into your body that you may even expect. And healing emotional blocks makes you want to STAY in your body more. When you are in your body, you can move and create with more freedom. 

Some people say that it takes your whole body to draw. If you are fully in your body you can create with a freedom that you never knew. 

4. Time EXPANDS

Have you ever gotten so lost in the moment that time slowed down to accommodate it? That is the magic of "Shamanic Time." 

This happens frequently for me during Shamanic Journey. Shamanic Journey uses a monotonous drum to get the brain and body into a trance state so you can can do deep healing and talk to your spiritual guides. In a typical 15 minute journey, you can have an entire movie; a revelation; or just a great healing nap. 

By getting yourself into a trance state, you can also expand time while making art or creating. Crocheting naturally invokes this trance state to me, but so can drawing or anything else that is repetitive. Get lost in time. See what happens. 
 

5. Your IMAGINATION SOARS

Shamanic Journey can create a state that is similar to daydreaming or lucid dreaming. You know that you are in a dreamlike state but you have full control over the situation. However when you surrender to the magic of the experience, you see things that you never would have thought of on your own. 

Maybe it is a raccoon where a top hat and smoking a cigar. Or a tulip that protects your safe space. How about a star being with a penchant for rubies, and talks in a British accent? Whatever it is that comes to you in journey space can spark an idea for a drawing, painting, sculpture or creative writing.  You can't make this stuff up. It is too bizarre somethings.

Other forms of spiritual practice such as meditation, or dance may invoke images that you would have never been open to before.  Once you connect your third eye of intuition, it will give you amazing insights and be fodder for your creative expression.

This fodder is a wave of new information, but not like the images we digest each day from the Internet. It is new, fresh and uniquely you! This imagination is what MAKES YOU AN ARTIST. 


6. You TRUST YOURSELF more
Do you trust yourself? Because it takes a lot of trust to walk a spiritual path or an artistic path. 

Both require a dedication to growth that is almost supernatural. Stagnation is the antithesis of growing. Which do you want to do?


By connecting with a spiritual path, you begin to trust the messages given to you in daily life. Messages can be more than just a fortune cookie phrase. They can be seen in the animals that cross your path, or the repetition of a number, or many other signs that resonate for you. 

When you trust your own intuition, that trust flows into trusting the colors in a painting or any other creative endeavor that you can imagine. 

Decisions made from your own gut about life and art are the most powerful. If you trust yourself, you can do these things no matter if the people around you think you have lost your marbles. 


7. You feel more SUPPORTED
Spirituality thrives in COMMUNITY! Sure, you can do any of these practices alone, but why not gather a few like-minded people together? My Apache teacher talked about the power of prayer in a group, and how the energy was measurably raised when 3 people connected hands to pray.

There are also things like rituals which are so much fun to have more than one person join in. It becomes a community event. A connection that is made with not only you connecting to the Divine, but connecting to your sisters or brothers and feeling THEIR connection. The connections I feel after doing something magical with other people is so profound. 

Feeling supported as an artist is so important. We artists tend to work alone, in our studios, without a lot of collaboration with others. It can be lonely but it is also where the work gets done. So by building a community of like-minded people, you have a place to feel completely loved even if your art isn't moving the direction you want it to. Building a community as an artist is a different subject, but it has its roots in gathering 3 or more people together to support you in all your awesomeness.



8. You take BIGGER RISKS
Now you are all juiced up with support! What does that do to your self-confidence? Right! It goes shooting through the roof. And that makes you bolder. 


It takes courage to have a spiritual practice. To come everyday to a meditation and look deeply into yourself. To feel when your breath just won't loosen up. To see the days when it doesn't work. To BE in the space of NOT getting it right. Of struggling. Of not knowing when it will get better. The fear that all of the good shit has already happened in your life. The wanting of something better. To completely SURRENDER to divine will to take care of you anyways. To give up all trying and TRUST it will happen because you are protected and loved. That is a space of great courage. 


That same courage is what you will need to sustain a creative practice too. It is about showing up. And showing up with a curious and experimental nature that cannot be satisfied. It takes courage to be an artist. To show your creations to the world. To try new ways of making and know that they are leading you to path you cannot even imagine.  Take a breath. And LEAP.



9. You know it is a PRACTICE
Practice. Practice. Practice. Just show up. That is all you have to do in life. In spiritual work. In art. It is all the same. "You must be present to win."




10. You KNOW that Creativity is ENDLESS
Yes, you know this. Think about how many ideas you have when you are sitting quietly? Probably more than you want to admit! Creativity can only slip in if there is space to go into. You cannot pour more into a full cup. 


As you tap into Divine inspiration each day, you know that that source is endless. You can feel it with each breath. Now breathe into your creative ideas? Same breath of inspiration. Inspire = to breath into. 

And know as one idea floats away or is not feasible at the moment, don't worry. Just breathe. Another idea is on its way, along with a hundred of its friends when you are ready to make space in your body to receive them. 

BREATHE TO RECEIVE!

Any bells go off from this list? I would love to hear about it. Share in the comments below.

Breathing my way to a more creative me ~ Jaime Lyerly 

Friday, September 10, 2010

Zoom! From Haystack, to school to one retreat after another


Quick note to fill in the blanks while I work on the "real" posts for these events.

Got back on Friday night, August 27 from the Haystack Mountain School of Crafts (in Deer Isle, Maine) where I was the Technical Assistant to Cynthia Winika for the Hot Wax: Encaustic Painting Comprehensive Workshop.

The Haystack experience was amazing! I cannot say enough good things about it. I am doing a write up in more detail about this event.

Then school started for me on Tuesday, August 30th before I could even catch my breathe or really unpack my stuff (and life) from two weeks away at Haystack.

As I rush, rush hurry to class to work to class to home to blah blah blah... I am trying to get a solid hold of my schedule and make time for contemplation and writing about my events. But everything on my to do list marked priority! What is a girl to do?

So on that note, I am packing my bags to go teach Encaustic Collage at the San Diego Women's Caucus for Art Retreat, in Julian, CA. It will be the first time I am teaching just collage - which I think is the easiest way to begin to understand working in wax. I am excited to teach, and am looking forward to the event.

But another part of me is just looking forward to having a couple of days where someone cooks my meals again (thanks, Haystack for spoiling me for two weeks) and let's me have quiet time or social time at my own choosing.

I hope to have a great write up about both events within in next week. Then it is rush, rush off to the International Encaustic Artist Annual Advance (Retreat) in San Francisco, the week after that! I think I will need a retreat from all the retreats I am going to.

Until then! Happy art making (even in a rush!) ~ Jaime Lyerly

Wednesday, July 21, 2010

It's time to Register for the 13th Annual San Diego Women's Caucus for Art Retreat! Mark your calendars for September 10-12, 2010 in Julian, CA

 Jaime Lyerly showing how to scrape back encaustic wax © 2009 Jaime Lyerly

IT’S TIME TO REGISTER for the 13th ANNUAL 2010 WCA/SD RETREAT

The retreat offers a special time to make art, make new friends and reconnect with old friends.

Note: This event is for women, only. Sorry guys! Most of our events are co-ed, but this is for women only because of the sleeping arrangements.

WORKSHOPS INCLUDE

PLEIN AIR PAINTING with Jen Bottoms

JOURNALING, BLIND DRAWING & MAKING YOUR OWN JOY

with Suzana Norberg

YOGA FOR BEGINNERS with Midge Hyde

ENCAUSTIC COLLAGE with Jaime Lyerly

(more details about the workshops below)

_______________________________________

WHEN

September 10th, 11th and 12th, 2010


WHERE

Camp Stevens, Julian, 1108 Highway 78,

Julian, California 92036 (760) 765-0028

We will be staying in the Wolterstorff Lodge

FEE

$150 Retreat only WCA SD members

$175 Retreat & 1 year basic 2011 membership for WCA

members

$190 Retreat & 1 year basic 2011 WCA Membership for

non-members.

All include 3 days, 2 nights and 5 meals (organically grown

and prepared by Camp Stevens ), and all workshop fees


DIRECTIONS

From San Diego : Take Highway 67 to Ramona, then

Highway 78 east to Julian. Camp Stevens is located 2

miles east of Julian on State Highway 78. There is a

“ Camp Stevens ” entrance sign on the left side of the

highway exactly 2 miles from Julian.


REGISTER EARLY

Your $50 Non-refundable deposit due by August 1, 2010

(check or PayPal) secures your reservation. Balance

due by September 1st, by check or PayPal. Upon final

payment you will receive a detailed map, packing list,

materials list, materials to bring and schedule, via

e-mail.


NOTE: There is limited cell phone service.


Women’s Caucus for Art, San Diego

13th Annual Retreat

at Camp Stevens

Julian, California

September 10th, 11th and 12th, 2010


QUESTIONS AND INFO:

Jen Bottoms, (619) 892-3429

9500 Harritt Road, #75

Lakeside, CA 92040

jenniebottoms@gmail.com



WORKSHOP DESCRIPTIONS

JOURNALING, BLIND DRAWING and MAKING YOUR OWN JOY with Suzana Norberg

As an advertising copywriter, Sue discovered the joy of art late in life. Inspired by “Harriett The Spy,” her favorite book as a child, Sue always kept a notebook of observations and snippets of overheard conversations.

But it wasn’t until the accidental discovery of three fabulous and freeing books that Sue began incorporating drawing into her work. See the three books that changed Sue’s creative life, page through her journals, and be prepared to draw with your eyes closed. Then apply it all to recording your weekend in a sketchbook that will be provided.


PLEIN AIR PAINTING with Jen Bottoms

Plein Air Painting is painting outdoors. Using oils, acrylics or watercolors whatever is your medium of choice, you will learn simple pallet color and placement while exploring the great outdoors and your personal emotions with the intent of taking out the intimidation factor. Realistic and non-realistic painters alike will love this enabling workshop that will set your spirit free and help you create
flowing, eye appealing works of art. Just let yourself go!


YOGA FOR BEGINNERS with Midge Hyde

Midge has done yoga for over 10 years. She plans to do light yoga exercises, first a warm up, practicing shallow and deep breathing. She reccomends everyone who has a yoga mat to bring it along. We will do mostly standing poses in case there are not enough mats for seated poses. The poses she likes are good stretches and parts of sun salutations, nothing too strenuous, just good stretching and deep breathing....a good way to end or start a day.


ENCAUSTIC COLLAGE with Jaime Lyerly

Encaustic is beeswax, damar resin and pigment applied to a surface hot and fused using heat. We will not be using pigment but instead, be learning the basic techniques of of encaustic collage in this workshop. We will explore layering, collage, incising, embedding and transfers. There will be plenty of time for hands on experimentation. Bring your own collage elements and get ready to try this “hot” way of painting.

ABOUT CAMP STEVENS and WCA/SD RETREAT

We will stay in the Wolterstorff Lodge, which was built from the ashes of the Bishop’s Lodge, destroyed in the “Angel Fire” of September 2007. The lodge has 24 beds; 4 six person rooms with 2 shared baths, and a meeting room with a fireplace. The OUTDOOR FACILITIES include tree house, outdoor chapel and other outdoor meeting and gathering spaces. Visitors can also enjoy a swim in the pool (seasonal), a stroll in the botanical garden, games on the lawns, basketball and volleyball, or an evening campfire.
  
I hope you can join us! You can check out pictures from last year's retreat on my Facebook page ~ Jaime Lyerly 

Thursday, June 10, 2010

Watch me tonight LIVE on Community Artist Connection Public Access TV show


Haven't gotten enough of me "talking" on my blog? Watch me on TV!

Tonight at 8 pm, I will be interviewed by artist Laura Jean Thompson for her Community Artist Connection Public Access TV Show.

We will be talking about my encaustic art, future career goals and whatever else she throws my way.

I am surprisingly less nervous than I would expect at the moment. However, I am not sure what is going to happen when I actually get there!

You can watch the broadcast LIVE via the internet at the link below. It should be on 8 pm, PST.
Live Broadcast!

There is supposed to be a "Chat" function that you can ask questions which we can see. This is all new to me so I am not sure how that all works. But feel free to check it out!

I am even letting my 13-year-old son watch via the internet at home. He may be the only kid in the world who would want to "chat" with his mom during her interview.

The show will air later on Public Access TV. I will let you know exactly when it will be on.

Okay - time to shove down some dinner and get moving!

Thanks for the support! ~Jaime Lyerly

Friday, June 4, 2010

San Diego area volunteers needed! The Tag Project at Kiku Gardens this Saturday June 5, 2010


In San Diego area and have nothing to do this Saturday morning?

Want to help with an amazing project?

Great! Come join us at the Kiku Gardens as we help Artist Wendy Maruyama "age" tags for her Tag Project: E.O. 9066. See this invite below from Wendy:

The Tag Project will be at Kiku Gardens Saturday, June 5, 2010 from 10 AM - noon. We are now at a point where we need help taking the tags through an aging process (dunking in coffee and krinkling and setting out to dry).

If you would like to help, please bring rubber gloves, old newspapers, and if you have one, a plastic dishpan or some similar plastic container for dunking tags.

Roll up your sleeves, and join the fun!!

Location:

Kiku Gardens
1260 Third Ave.
Chula Vista, CA 91911

Time: 10 AM til 12 pm

Here is more about the Tag Project from the Facebook page:

This project was begun as part of my research on Executive Order 9066: it is the first time I made the personal decision to really look at this sorry chapter in history as a Japanese American artist. I plan to focus on this direction in my work for the next few years.

One project, "The Tag Project", was started in New York - I replicated 1011 tags from internees from my hometown (San Diego/Chula Vista). I was inspired by the thousands of folded origami cranes I saw at the Hiroshima Peace memorial and this group of tags was called "Cascade". I was also deeply moved by the photos of Dorothea Lange, one is shown above: it was her photos that initially provided the physical and emotional weight of the internment, and how it so profoundly affected the Japanese American citizens during and for years to come. All Japanese Americans were rounded up in 1942 and each were issued a tag and an ID number designating their destination: one of several internment camps, all in desolate deserted areas of the United States. The most haunting and striking photos were of the families wearing tags at the various assembly centers before being shipped off by train to these remote areas.


I was taken by the weight of these tags when they were completed and hung, despite appearing to be light and airy. This struck me as being very relevant to the way the internment was perceived by the general American Public. To this day it shocks me to still run into fellow Americans who had no clue that this had happened. I am going to commit to making all 120,000 tags, for all the Japanese Americans who were sent to all the camps. I feel that the sheer numbers and the scale of these tags will convey to all who view this that the internment was a massive project that was to affect an entire culture of people and their future generations.

Find out more on the The TAG Project: E.O. 9066 Blog.

Interview with Wendy in American Craft Magazine - "The Tag Project: In Search of Cultural Memory"

Tag Project Video

The Tag Project | Poston from xavier vasquez on Vimeo.

About Wendy Maruyama -

Wendy Maruyama is Head of the San Diego State Furniture Design /Woodworking program and has taught at SDSU since 1989. Prior to that she has headed programs at California College of Arts and Crafts and at the Appalachian Center for Crafts. She received her BA from San Diego State and MFA from Rochester Institute of Technology. She has been the recipient of a Fulbright Grant to England, foreign travel grants to France and Japan, and four NEA Craftsmen's Fellowships. She also serves on several non-profit boards, including the Furniture Society and Haystack Mountain School of Crafts. She is a frequent workshop leader and lecturer and her work has been exhibited nationally and internationally. It is documented in numerous publications and included in public collections, among them the Mint Museum of Craft and Design, American Craft Museum, Oakland Museum, Mingei International Museum, Philadelphia Museum of Art, and the Arizona State University Museum in Tempe.

I know it is late notice, but you really want to come to this event! I would love to see you there.

Happy volunteering! ~ Jaime Lyerly

Monday, May 17, 2010

SDSU Art Council - 8th Annual Scholarship Exhibition at the La Jolla Athenaeum on May 21, 2010

Detail from Fibrous Waximus, which will be on display at the event
© 2010 Jaime Lyerly


Missed those other chances to see my encaustic art? Then come to this one.

San Diego State University Art Council 8th Annual Scholarship Exhibition

Dates/Times: May 22 - June 19, 2010
Opening: May 21, 2010, 6:30 pm - 8:30 pm

Location: La Jolla Athenaeum Music and Arts Library
1008 Wall Street, La Jolla, CA

More Information: The Athenaeum presents for the eighth consecutive year an exhibition of artwork by scholarship winners of the San Diego State University's Department of Art, Design, and Art History. Students from the upper division of the undergraduate or the graduate programs will be selected, based on scholarship applications, by the SDSU Art Council. Each of the five receives a monetary award and the opportunity to present their artwork in this exhibition.

What's in it for you:

* Support local and emerging artists
* Meet the five of SDSU's undergraduate and graduate artists who, including myself, have been awarded a scholarship based on an essay and portfolio review.
* Check out the Artist Book Collection.
* FREE ADMISSION!
* Three in One! See the other two exhibitions running and opening at the same time in different galleries at the Athenaeum, Including: Selections from the Athenaeum's Erika and Fred Torri Artists' Books Collection: Fischli/Weiss and Ellen Salk: Shaker Loops

Hope to see you there! ~ Jaime Lyerly

Free e-Book "Exersighs" - Self-esteem Workbook for Artists by Artella


Shared by Sally Evan's Embracing Creativity newsletter. Check it out!


Artella's free giveaway!


Free copy of Exersighs Exersighs is a 10-page ebook of guided exercises and inspiration, with 16 exer-sighs-es to boost your self-esteem effectively and immediately, triggering momentum for your next creative project, and breaking down blocks FOR GOOD.




~ Jaime Lyerly

Saturday, May 15, 2010

Opening Reception for SDSU's "Comatose in the Sculptorium"


Reminder!

Tonight from 6-9 pm is the San Diego State University's Intermediate and Advanced Sculpture class anonymously juried show called "Comatose in the Sculptorium"

Exhibition: Comatose in the Sculptorium: SDSU's Intermediate and Advanced Sculpture student show

Dates/Times: May 15 - 20, 2010. Hours variable. Opening: May 15, 2010 from 7 pm - 9 pm

Location:
San Diego State University, Flor Y Canto Gallery on the fifth floor of the Art Department.

More Information: Facebook event

What's in it for you:

  • Support local and emerging artists!
  • See the experimental and conceptual sculpture that is being produced by the SDSU sculpture students. The variety is amazing.
  • See my untitled 3-D encaustic sculptures from 2009 in a whole new setting and installation.
  • Meet the infamous instructor and local artist, Richard Keely.
  • FREE ADMISSION!
Hope to see you there!

~ Jaime Lyerly

Monday, May 10, 2010

"Repeat. Sum. Repeat." Installation Experience - part one

Just wanted to let you all know that I am still working hard on my installation in room Art 418C at San Diego State University with Experimental Musician Chris Miner called "Repeat. Sum. Repeat."

Last Saturday was supposed to be the informal opening, but we were still installing all day and night, so there was not much to see.

This Tuesday, 5/11/2010, all the installation will be complete and the room should be open from 12 pm until 3 pm, and more hours as requested.

Thanks to Joyce and Will for stopping by on Saturday. They got to see all the pieces spread about, but not installed. However, they were very understanding!

Thanks to Gwyneth Mapes for coming by on Sunday, and giving me such an honest opinion of the installation as a whole.

Huge thanks to Starry Wright, Chris Miner and my son, Xen, for helping me install.

A few lessons from this installation experience, so far.
  1. SDSU parking enforcement will still give you a $40 parking ticket, even if you are quickly unloading your car, and they haven't printed the ticket.
  2. Expect to move boxes in and out of the room all day for a couple of days.
  3. Bring other people to talk to! On Friday, I kept leaving the room to seek out interaction with people.
  4. Prepare your artist statement and tags before hand.
  5. Don't expect that the room will be set up with lights and power needed.
  6. Sound installation needs more preparation than expected and should be laid out visually before any art is installed.
  7. Pedestals are pretentious, but needed to differentiate the works, unless prepared before hand.
  8. Purchase all hardware, extension cords and food before installation day.
  9. It is much harder to install older pieces and make new work at the same time. Don't pressure yourself into doing more than you can handle.
  10. Installation is exhausting!
I will have lots of pictures coming soon, video of the pieces including the sound collage by Chris Miner. Stay tuned for more!

Thanks for joining me on this journey! ~ Jaime Lyerly

Wednesday, May 5, 2010

Current and Upcoming Exhibitions (and what's in it for you...)

I have been a busy bee recently and have a few events that you may be interested in, especially if you are in San Diego, CA.

If you are not in the San Diego area, you can join me on the journey through my blog posts (although those always come later than the event).

I would love you to come and experience these, but I know you are all busy.

So, rather than just tooting my own horn about the awesomeness of me to get you to come to these events, I am going to tell you what's in it for you!

These events are in chronological order.

Current/Upcoming events:



Exhibition: A World of Art - San Diego Women's Caucus for Art Member Show

Dates/Times: May 1 - May 15, 2010, call to arrange for viewing times

Location: East Village Company, # 29
906 10th Ave, San Diego (corner of 10th & E-downtown)

More Information: See the Facebook event

What's in it for you:

  • See the diversity of work from the San Diego Women's Caucus for Art members.
  • Also to my encaustic covered hand-carved Jelutong wood sculpture "Reliquary" and untitled encaustic painting.
  • Check out the East Village Company's space, hosted by the elegant and gracious, Coco Cabuquit-Jarboe. Coco opens her artist loft home to host art events. The relaxed ambiance makes viewing the art and meeting the artists a rewarding and intimate experience. One of San Diego's best kept secrets.
  • FREE ADMISSION!
________________________________________

Exhibition: Repeat. Sum. Repeat. Art installation by Jaime Lyerly and sound installation by Experimental Musician Chris Miner

Date/Times:
May 11, 2010, from 12 pm to 3 pm.

Location: San Diego State University, Art Building Installation Room Art 418C (on the fourth floor.) If you are not a student, park in the "W" lot, which you can buy an hourly permit. Call me at 619-750-2404 to get directions from there.

More Information: My first attempt at installing my body of work, including most of my current encaustic paintings and sculpture, and my newest fiber related works. See the Facebook Event.

What's in it for you:

  • Supporting local and emerging artists!
  • Check out my body of work, and help me figure out what needs tweaking as I get ready to apply for graduate school.
  • Experience Chris Miner's sound installation which is based on the patterns and songs of whales. This is the initial stage of this sound collage, and will be expanded for inclusion in the Atomino 2010: Experimental Art Festival in Germany in August 2010.
  • FREE ADMISSION (obviously - and I will entertain you too!)
__________________________________

Exhibition: Comatose in the Sculptorium: SDSU's Intermediate and Advanced Sculpture student show

Dates/Times: May 15 - 20, 2010. Hours variable. Opening: May 15, 2010 from 7 pm - 9 pm

Location:
San Diego State University, Flor Y Canto Gallery on the fifth floor of the Art Department.

More Information: Coming soon!

What's in it for you:

  • Support local and emerging artists!
  • See the experimental and conceptual sculpture that is being produced by the SDSU sculpture students. The variety is amazing.
  • See my untitled 3-D encaustic sculptures from 2009 in a whole new setting and installation.
  • Meet the infamous instructor and local artist, Richard Keely.
  • FREE ADMISSION!
_________________________________

Exhibition: San Diego State University Art Council 8th Annual Scholarship Exhibition

Dates/Times:
May 22 - June 19, 2010 Opening: May 21, 2010, 6:30 pm - 8:30 pm

Location:
La Jolla Athenaeum Music and Arts Library

More Information:
The Athenaeum presents for the eighth consecutive year an exhibition of artwork by scholarship winners of the San Diego State University's Department of Art, Design, and Art History. Students from the upper division of the undergraduate or the graduate programs will be selected, based on scholarship applications, by the SDSU Art Council. Each of the five receives a monetary award and the opportunity to present their artwork in this exhibition.


What's in it for you:

  • Support local and emerging artists (see a trend here?)
  • Meet the five of SDSU's undergraduate and graduate artists who, including myself, have been awarded a scholarship based on an essay and portfolio review. I will get the names of the other four artists soon.
  • Check out the Artist Book Collection.
  • FREE ADMISSION!
  • Three in One! See the other two exhibitions running and opening at the same time in different galleries at the Athenaeum, Including: Selections from the Athenaeum's Erika and Fred Torri Artists' Books Collection: Fischli/Weiss and Ellen Salk: Shaker Loops
Whew! Lots to do in the next few weeks, right?

Even though I would rather avoid these art openings, (yep, that is me - the introvert in me wants to stay home and watch movies instead) , I will be attending all these events.

I would love for you to join me! ~ Jaime Lyerly

Tuesday, May 4, 2010

"Dialectic" exhibition at the Encaustic Art Institute, New Mexico

New exhibition from one of my latest affiliations, Encaustic Art Institute. If you are in New Mexico, go check it out!

IMMEDIATE RELEASE
Contact: Harriette Tsosie, President, Encaustic Art Institute
575/779-7941

"DIALECTIC”


Artists who work in encaustic (pigmented wax) are partnering with artists who work with other media in a new exhibition--”Dialectic” -- opening Saturday, May 22, 2010 at the Encaustic Art Institute.

The Institute will host an opening reception from 1:00 - 6:00 PM.

Participating artists and their collaborative team include:
Fionna Buck and Cathleen Higgins;
Andrea Cermanski and Tanya Story;
Diane de Fremery, Susan Varon and Judy Van Heyst;
Linda Fillhardt and Maryellen Stewart;
Stephanie Huerta and Thea Witt;
Douglas Mehrens, Adam Eisman, Linda Leslie, and Lee Manning;
Barbara Michener and Jane Belew;
Cherry Whitener Rohe and Jamie Rohe;
Russell Thurston and Joel Nakamua;
Harriette Tsosie, Donna Caulton and Belinda Edwards;
Paula Verona and Nicki Marx; and
Carol Ware and Vahid Mojarrab.

Located just north of the historic village of Cerrillos and about 18 mles south of Santa Fe on the Turquoise Trail, the Encaustic Art Institute is a non-profit organization dedicated to promoting and exhibiting encaustic art.

Its distinctive Pyramid Gallery is open weekends from 1:00 - 6:00 from March through October. Take Highway 14 south of Santa Fe or north from Albuquerque. Turn East on County Road 55A (General Goodwin Road). The Institute is at 18 County Road 55A.

“Dialectic” continues through June 2010.

Check out the Encaustic Art Institute's blog for upcoming events.
~Jaime Lyerly

Image of the Week - Petah Coyne

Since one of my jobs is to share information, I am going to start an Image of the Week which will include less of my words and more art.

These images will be from artists I have come across during my web searches, readings, classes, artistic research and more.

All of the images have moved me, but I will let them stand on their own without my WHY. I will include the source so that you can check out more.

First Image of the Week - Petah Coyne


Petah Coyne, Untitled #875S-96/7 (Atlanta Gal), 1996–97, mixed media, 67 1/2×55 x 38”.
Courtesy of Galerie Lelong, New York.


More about Petah Coyne's work can be found in this interview by Lynne Tillman from Bomb Magazine.

Moved to share? Please do! I would love to hear your comments.
~Jaime Lyerly

Sunday, April 11, 2010

Thread Sketches - Exploration of Universal Symbols through Machine Embroidery

Fiber has becomes an important part of my art recently.

It has opened a new world of art making with a meditative and repetitive process that keeps my hands busy making while my mind is off somewhere else.

Here is the short story of how I got to this point. Read on and be inspired!

Over the summer, I started to intuitively knit sculpture using a loom while the San Diego heat blazed on. It was a savior for me to be able to make something when it was too hot to turn on my encaustic wax.

Every time I would heat up my encaustic wax outside, I questioned my sanity! You don't want to know how miserable I was during this heat. All I wanted to do was make something that didn't require a heat gun.


Knit, knit, knit. I made odd shapes in soft, blood red yarn. They looked like shirt sleeves that morphed into pig organs. But they were fun to make.

So next semester, I enrolled in a Fibers class at San Diego State University which worked with my schedule, which was Fiber Surface Design. Can you imagine my surprise when this class expanded my view of art completely?

Since I have been studying "fine art" at SDSU, I was ignorant of a whole world of contemporary art which is normally shoved under the category of Craft.

My instructor, Kathryn Harris, is an amazing and has opened my eyes to a world where art and craft not only tolerate each other, but actually work together to create art that is unique. Thrilling, right?


So I have a new body of work that is fiber without encaustic wax that I am not sure where it fits into my portfolio. But it is so exciting, I have to share it with you! Here we go...
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Thread Sketches - Exploration of Universal Symbols through Machine Embroidery

Machine embroidery is new to me.

Two months ago, I learned how to hand embroider in Kathryn Harris' Fiber Surface Design class and I love it. It is slow and repetitive. It can be painstakingly exact and rigid.

But it can also be fluid and intuitive. I have replaced my pencil and paper with needle and thread.

So when we moved from the hand to the sewing machine, I was not excited. Why would I want a machine to do the work for me? Because a machine can do what I cannot.

What is free-motion machine embroidery? It is embroidery that can be done with a sewing machine that uses a foot that allows you to move the fabric all around instead of just front to back.

Check out this quick, un-intimidating video by author Rice Freeman Zachery which shows free-motion machine embroidery as an easy way to add decoration.



Free-motion embroidery on a sewing machine is just another tool for expression.

I took scraps of fabric and using the free-motion embroidery foot on the sewing machine, drew on the fabric the universal vagina symbol. I made some more.

"Thread Sketches" Front, Machine Embroidery on fabric scraps, © 2010 Jaime Lyerly

The top thread and the bobbin thread are different which makes the front and the back of the piece look different. I love the duality.

"Thread Sketches" Back, Machine Embroidery on fabric scraps, © 2010 Jaime Lyerly

White on black. Black on white. White and gray on black. White and gray on white. Black and gray on black. Black on black. The possibilities with only three hues...

"Thread Sketches" Front, Machine Embroidery on fabric scraps, © 2010 Jaime Lyerly

"Thread Sketches" Front, Machine Embroidery on fabric scraps and vellum, © 2010 Jaime Lyerly

"Thread Sketches" Front, Machine Embroidery on fabric scraps, © 2010 Jaime Lyerly


"Thread Sketches" Back, Machine Embroidery on fabric scraps, © 2010 Jaime Lyerly



I hung them on the wall with pins like my fiber and encaustic sculptures "Fibrous Waximus". Still wasn't sure what to do with them. So made some more.

I made some thread lace using Solvy which is a water soluble plastic wrap. You take one piece of solvy, put some threads on top, then another piece of solvy on top of that. Then you sew through all layers. Rinse the solvy off of the piece and all that remains is the thread.

"Thread Sketches" Front, Thread Lace, © 2010 Jaime Lyerly

After showing them to Kathryn, she suggested I try machine embroidery on Solvy. That opened even MORE possibilities.

"Thread Sketches" Front, Machine Embroidery, © 2010 Jaime Lyerly


"Thread Sketches" Back, Machine Embroidery, © 2010 Jaime Lyerly

"Thread Sketches" Front, Machine Embroidery, © 2010 Jaime Lyerly

After doing research on Ana Mendieta for my Contemporary Latin American Art class, I was inspired by her Silueta series.

Ana Mendieta Silueta Series

I made a small homage in machine embroidery to compliment her large scale outlines of the human body.

"Thread Sketches" Front, Machine Embroidery with leaf, © 2010 Jaime Lyerly

I embedded a small leave in the belly of the figure to hint at the natural world.

"Thread Sketches" Back, Machine Embroidery with leaf, © 2010 Jaime Lyerly

I made another...

"Thread Sketches" Front, Machine Embroidery with leaf, © 2010 Jaime Lyerly

"Thread Sketches" Back, Machine Embroidery with leaf, © 2010 Jaime Lyerly

Inspired by these, I decided to further my homage to Ana Mendieta by doing machine embroidery on actual leaves.

Mendieta did drawings by piercing on green leaves of universal and feminine symbols. She embraced the changes in the leaves from green to brown.

"Thread Sketches" Front, Machine Embroidery on leaf, © 2010 Jaime Lyerly

"Thread Sketches" Back, Machine Embroidery on leaf, © 2010 Jaime Lyerly

These have already changed colors, and curled since I first made them on Saturday, and when I scanned them on Sunday. How do you think they will change?

"Thread Sketches" Front, Machine Embroidery on leaf, © 2010 Jaime Lyerly

See those gray spots on the left side in between the stitches? Those were not there on Saturday when the leaf was fresh and full of juices.


"Thread Sketches" Back, Machine Embroidery on leaf, © 2010 Jaime Lyerly

"Thread Sketches" Front, Machine Embroidery on leaf, © 2010 Jaime Lyerly

"Thread Sketches" Front, Machine Embroidery on leaf, © 2010 Jaime Lyerly


So what did we learn from this experiment?

  • Art or Craft? Both? Either way, it is a new way to work
  • Machine Embroidery is easy to do
  • Thread lace and solvy are more tools to use
  • You can bend and break the rules of what is fiber
  • Inspiration comes from many sources
  • and for me...Not everything in my artist portfolio NEEDS to be covered in encaustic wax!
I titled these "Thread Sketches" because that is really what they are. A sketch without paper and pencil, and a new way to work.

Your Turn:

I would love to hear what you think! Experienced in the ways of the sewing machine? I bow to your expertise. Always wanted to try free-motion embroidery? Let me know if this helps you to get started.

Happy sketching! ~ Jaime Lyerly

Thursday, April 8, 2010

Blog Triage - HW 1 - Desperately Seeking Art-Loving Readers

Since the birth of my blog, "Art Making is a Journey" in January 2009, it has grown into the spirited and precocious toddler.

It has changed from a place to share my artwork and journey as an emerging artist to a place that I can connect with artists and readers from all over the world.

It is a visual and written representation of what is in my head, my heart and what is being created with my hands. It is a necessary and exciting part of my own creative process.

But it wouldn't have grown to this without you.

My readers (frequent or first-timers) help me to define what it is that I write about.

When people email me asking about encaustic techniques or set-up, I know it is because of posts on this blog. I love to share my knowledge with others, and this blog has become my platform.

Yet, sometimes it is neglected. ::Cough, Cough:: Even sick. Ignored. Needing medical attention...

So to help revitilize my blog's health, I have signed up for the online "Blog Triage" class taught by Art Biz Coach Alyson B. Stanfield and Original Impulse/Journey Juju Cynthia Morris.

I have been reading Alyson and Cynthia's blogs since the birth of my blog, so I feel like I know them personally. They are doctors who know the secrets to a healthy blog.

Our "Homework" for this class will be completing assignments on our blog. I hope by sharing this that you will be inspired to check the pulse of your own blog. Here is part 1 of Homework 1.
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Blog Triage - Homework 1, part 1 - Describe your ideal readers

Desperately Seeking Art-Loving Readers

You:

  • Highly interested in Encaustic (hot beeswax painting) and want to know more about it
  • Has a sense of humor!
  • Love to look at and/or make art
  • Lifetime learner and seeker of knowledge
  • Enjoy reading about the creative process
  • Visually stimulated
  • Loves process art and experimentation
  • Cares about contemporary art
  • Can be artist working in any medium
  • Can be a student, retiree, working person, male or female (or cat), physical appearance does not matter
  • Hardworking and dedicated to the creative process
  • Wants to learn more about how to market your art
  • Interested in Feminism, Conceptualism, Post-Modernism, and other Art History-isms
  • Understanding if I ramble and change topics
  • Willing to support an "unknown," emerging artist
Preference: Living in San Diego area, CA, but open to other areas of the country/world

Enjoy reading blogs and social networking a plus, but not necessary


Me:

  • Emerging, Mixed media and Encaustic artist
  • Loves to share and promote Encaustic paintings and sculpture
  • Hardworking and dedicated student and mother
  • Loves to write about process art
  • Tends to write excessively about own life - even the "bad" stuff
  • Takes lots of in progress pictures
  • Needs to blog as part of the creative process
  • Lover of knowledge, with a tad bit of nerdiness
  • Needs to teach and share that knowledge with others
  • Cannot resist sharing on Social Networking sites
  • Very interested in Conceptualism, Feminism and Art-isms yet to be named
  • Supports other artists
  • Tends to talk too much and change subject at will
Looking for long-term relationship with multiple readers.
Let's get together and share this love of art! Will you be my reader?


No application needed - just read and enjoy.

Feeling moved to reach out and connect with me? I am always available to respond to your comments and email.

Thanks for sharing in this journey with me, however long you have been here!

Until next time; Happy Art-making! ~ Jaime Lyerly